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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · February 5, 2017

“The Return of the SSPX”

Reflections by a member of the Priestly Fraternity of Saint Peter.

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Jeff Ostrowski · February 3, 2017

Did we meet our fundraising goal?

The answer will amaze!

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Jeff Ostrowski · January 31, 2017

Photos • Society for Catholic Liturgy Conference

After Mass, a presentation was delivered by the Executive Director of the USCCB Committee on Divine Worship.

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Jeff Ostrowski · January 30, 2017

Mind-Blowing SATB Canon

“Laudate Dominum” by William Croft (†1727) is a miracle.

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Jeff Ostrowski · January 26, 2017

PDF Download • “Sing the Angelus” (Plainchant)

Can you think of a better way to begin your choir rehearsals?

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Jeff Ostrowski · January 24, 2017

Musical Resources • 4th Sunday after Epiphany

“But the men wondered, saying, What manner of man is this, for the winds and the sea obey Him?”

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Jeff Ostrowski · January 23, 2017

More From The New Microphone

This Introit is repeated many times, depending on how many Sundays occur after Epiphany.

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Jeff Ostrowski · January 17, 2017

PDF • “The Book of Ceremonies” (629 pages)

By Rev. Laurence J. O’Connell, and *published in English* in 1943.

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Jeff Ostrowski · January 16, 2017

Nine Rubrics for Mass in the Extraordinary Form

These rubrics are official; so when does your church begin the Introit?

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Jeff Ostrowski · January 16, 2017

Courageous Schola Director Posts “Live” Recording

Our choir is 100% volunteers—and many don’t read music.

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Jeff Ostrowski · January 14, 2017

Ratzinger talks “Ad Orientem” (2003)

Cardinal Ratzinger’s English is *fantastic* (as this video shows).

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Jeff Ostrowski · January 10, 2017

Musical Resources • 2nd Sunday after Epiphany

“May this Communion, O Lord, cleanse us from sin…”

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Jeff Ostrowski · January 9, 2017

“Ten Commandments” • for the Choirmaster

Truth is stranger than fiction.

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Jeff Ostrowski · January 6, 2017

PDF Download • Epiphany Booklet (FSSP.la)

To match the ancient acrostic, Erasmus changed the first line to “Herodis Hostes.”

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Jeff Ostrowski · January 5, 2017

Best Mystery Movie Of All Time!

Every so often, we stumble across true excellence. Here’s a prime example.

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Corpus Christi Watershed

President’s Corner

    “Reprehensible Rhymes” • (1955 Hymnal)

    It really does seem as though this gentleman was only considered an ‘expert’ in Roman Catholic hymnody when compared to others…

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    —Jeff Ostrowski
    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski
    Feast of All Saints (Nov. 1st)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

Recent Posts

  • Seven (7) ‘Ad Libitum’ Antiphons • “Gateway to the Gregorian Propers”
  • “Reprehensible Rhymes” • (1955 Hymnal)
  • 70% Moonshine? • Jeff Responds to a Dissertation-Length Article on Gregorian Chant
  • Hymn: “Lux Alma Jesu Méntium” • 16 English Translations by Priests, Cardinals, & Bishops
  • PDF Download • “Singers’ Booklet”

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