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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 18, 2018

The Most Popular Hymn Tunes? • A List

I could not have been more thrilled to see this list—those are exactly the tunes I love!

Jeff Ostrowski · December 17, 2018

Counter-Melodies • “Accompaniment of Psalm Tones”

Go to the 1:07 marker and you will hear something worth dying for…

Jeff Ostrowski · December 15, 2018

Christmas Midnight Mass • Saint Vitus Parish (LA)

“And she brought forth her firstborn Son, and wrapped Him up in swaddling clothes, and laid Him in a manger, because there was no room for them in the inn.”

Jeff Ostrowski · December 13, 2018

Seven Tips • “Directing A Catholic Choir”

The physical and mental demands made upon a choirmaster are considerable.

Jeff Ostrowski · December 8, 2018

PDF • “Creator Alme Siderum” (Organ Accompaniment)

Each verse written out, with a translation by Fr. Adrian Fortescue.

Jeff Ostrowski · December 7, 2018

Exclusive images! • Draft Pages (Brébeuf Hymnal)

As you can see, this new hymnal is pleasantly thin and not heavy.

Jeff Ostrowski · November 28, 2018

PDF • “Ecclesia Dei” Responses (14 November 2018)

Several questions deal with music at the Traditional Latin Mass (“Extraordinary Form”).

Jeff Ostrowski · November 25, 2018

First Sunday of Advent at Saint Vitus Parish (LA)

“May we receive Thy mercy, O Lord, in the midst of Thy temple, that with due reverence we may prepare for the coming festival of our redemption.”

Jeff Ostrowski · November 24, 2018

The Only Hymn Father Fortescue Ever Wrote

…including a “Sneak Peek” at the Brébeuf Hymnal.

Jeff Ostrowski · November 15, 2018

PDF Download • Mass Hymns by Fr. Seed, SJ (1906)

How utterly strange to see such items!

Jeff Ostrowski · November 13, 2018

Hymn Texts by Fr. Christopher Phillips

Listen to an original text accepted for publication in the Brébeuf hymnal…

Jeff Ostrowski · November 6, 2018

PDF Download • “Pope Pius XII Hymnal” (1959)

Very few people have a copy of this incredibly rare Catholic hymnal.

Jeff Ostrowski · November 6, 2018

“Last” Sunday after Pentecost (Extraordinary Form)

“Sir, didst thou not sow good seed in thy field? whence then hath it cockle?” And he said to them, “An enemy hath done this.”

Jeff Ostrowski · October 30, 2018

“Source Material” • The Saint Jean de Brébeuf Hymnal

We assembled a staggering number of Catholic hymnals and selected only the very best material from each.

Jeff Ostrowski · October 29, 2018

“Lord, take not only my nose…” (Fr. Jogues)

Why prayer doesn’t always “work”—and why that’s a good thing!

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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