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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Agincourt” • Do You Know This Hymn?

Jeff Ostrowski · December 17, 2019

VERY ORGANIST AND CHOIRMASTER at one point or another has fallen in love with the English hymn tune “Agincourt” (a.k.a. “Deo Gracias”). It was featured in Henry V, a 1944 movie by Sir Laurence Olivier. The Brébeuf harmonies for this piece remind me why I love this book so much—a truly masterful SATB harmonization: original, fresh, yet within reach. I especially love how the Bass Line walks in stepwise motion…sometimes a whole octave!  If you follow the link below (#536) and click “Bass,” you can see what I mean.

The Tenor line is quite challenging to sing correctly:

Important Notice:

You can hear individual voice tracks if you visit the Brébeuf website; scroll to #536.

HEN I WAS AT THE CONSERVATORY, I had to memorize difficult works by Chopin, Mozart, Bach, Prokofiev, Schumann, and others. Yet, I was nothing compared to some of the students there. Indeed, I would not have dared attempt certain pieces, such as Liszt’s Feux Follets, or Chopin’s Op. 26 No. 6 Etude. Often, I would discuss interpretations with the other students. One girl from China—I can’t recall her name, but she was excellent—had studied with Ruth Slenczynska. I was discussing certain ideas I had about Chopin’s Ballade in Ab Major, and I insisted my interpretation was the correct one. Then she made a comment that haunts me to this day: “Jeff, having ideas is one thing; executing them is something else.”

On the one hand, it is good to have dreams and aspirations. On the other hand, we must face reality. AGINCOURT is a good example. A choirmaster quickly learns this is not an easy piece to sing well with a congregation. Therefore, it must be approached with caution. We may desire to do this piece. We may desire it greatly. Yet, we must never fail to ask: “How did it sound? Did it work?”  By the way, here’s how AGINCOURT looked in the 1936 “English Hymnal,” edited by Ralph Vaughan Williams (d. 1958), a student of Maurice Ravel (d. 1937):

80574 AGINCOURT HYMN (1906)


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading into the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Archbishop Dwyer of Portland (26-Oct-1973)

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