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Corpus Christi Watershed

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Views from the Choir Loft

Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

Gwyneth Holston · February 17, 2014

Musing Over Mass at MIT

Perhaps after a few more decades of research, MIT will be able to design an attractive chapel.

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Gwyneth Holston · February 10, 2014

How to repaint a statue with professional results

Were your parish’s statues whitewashed in the eighties? Here’s how to restore them to their former glory.

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Gwyneth Holston · February 3, 2014

The Heresy of Formlessness

How have I not read Martin Mosebach’s book before now?

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Gwyneth Holston · January 27, 2014

Do You Like This Painting or Not?

Help me decide what to think on the feast of St. John Chrysostom.

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Gwyneth Holston · January 20, 2014

Twelve Films I Recommend to Catholic Artists

These films withstand repeated viewing because of their richness and complexity.

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Gwyneth Holston · January 13, 2014

Upcoming Opportunities for Catholic Visual Artists

A call for entries, two summer programs, and two places to get published!

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Gwyneth Holston · January 6, 2014

St. Eulalia by John William Waterhouse

A daring painting for a daring saint.

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Gwyneth Holston · December 30, 2013

Tips for Parents in Guiding Artistic Teenagers

Suggestion #6: After high school, don’t send your child to an art college.

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Gwyneth Holston · December 23, 2013

Good King Wenceslas Looked Out When?

The connection between the Feast of the Nativity and the Feast of St. Stephen.

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Gwyneth Holston · December 16, 2013

Impatiently Awaiting the Publication of the English Translation of von Hildebrand’s Aesthetics

Finally, English-speakers will able to read Hildebrand’s examination of the splendor of beauty.

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Gwyneth Holston · December 9, 2013

The Greatest Catholic Painter You’ve Never Heard Of

Why I am besotted with Enguerrand Quarton

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Gwyneth Holston · December 2, 2013

Enough is Enough!

Why are our Catholic bookstores full of bad art?

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Gwyneth Holston · November 25, 2013

Hans Memling’s Masterpiece: The Last Judgment

Christmas is coming! For Catholics, that means its time to think about the Apocalypse.

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Gwyneth Holston · November 18, 2013

St. Catherine of Alexandria, November 25th

Brilliant. Beautiful. Beheaded.

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Gwyneth Holston · November 14, 2013

13th Century Sacred Art Class

Thomas More College Artist-in-Residence, David Clayton, to teach a class on painting in the English gothic style.

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Corpus Christi Watershed

President’s Corner

    Oldest Latin Eucharistic Hymn
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski
    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • These Photographs Are Utterly Astounding !
  • Public Criticism of Jeff Ostrowski’s Singing Voice • Also: “Dich König loben wir”
  • Oldest Latin Eucharistic Hymn
  • Rare Plainsong Accompaniments
  • “Participatio Actuosa” • Re: Active Participation During The Holy Mass

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