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Views from the Choir Loft

Impatiently Awaiting the Publication of the English Translation of von Hildebrand’s Aesthetics

Gwyneth Holston · December 16, 2013

GWYN_von Hildebrand Dietrich and Alice von Hildebrand in 1956 ccording to the Dietrich von Hildebrand Legacy Project website, volume I of Dietrich von Hildebrand’s writings on aesthetics was translated this year. How thrilling! I believe it will be a work of intense interest to Catholic artists and musicians.

For those of you who have not had the pleasure of discovering the writings of Dietrich von Hildebrand or his esteemed wife, Dr. Alice von Hildebrand, I encourage you to read his biography, Soul of a Lion. It is the story of the brilliant son of a famous sculptor and his growth from a childhood immersed in a pagan appreciation of beauty to an adulthood focused on the Christian notion of beauty. An outspoken idealist and philosopher, von Hildebrand was hunted by the Nazis during World War II until he escaped to America.

GWYN_Adolf von Hildebrand Resting Shepherd Boy by Adolf von Hildebrand Dietrich von Hildebrand’s father was the sculptor Adolf von Hildebrand who wroteThe Problem of Form in Painting and Sculpture in 1907. It is a excellent treatise for artists on the depiction of three-dimensional space.

Each summer, the Dietrich von Hildebrand Legacy Project hosts a summer seminar to promote study of his writings and ideas. I went last summer and enjoyed the week immensely. It was astonishing to see how the writings of one man brought together professionals from such fields as philosophy, theology, education, and the arts.

Watch the video below to see the highlights from last year’s program:


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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    PDF • “For the Season of Pentecost”
    During the season of Pentecost, you might consider using this 2-page Piece “for the season of Pentecost.” Rehearsal videos are available at #40691, but the lyrics are different. Therefore, make sure your choir members understand that one can rehearse songs that have different lyrics (“CONTRAFACT”).
    —Jeff Ostrowski
    Introit • (This Coming Sunday)
    Our volunteer choir appreciates training videos, so here's my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
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    My volunteer choir attempted the polyphonic KYRIE that will be sung at this year's Sacred Music Symposium. If you're interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of the quote by Artur Schnabel: “music that's greater than it can be performed.”
    —Jeff Ostrowski

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