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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

Gwyneth Holston · February 17, 2014

Musing Over Mass at MIT

Perhaps after a few more decades of research, MIT will be able to design an attractive chapel.

Gwyneth Holston · February 10, 2014

How to repaint a statue with professional results

Were your parish’s statues whitewashed in the eighties? Here’s how to restore them to their former glory.

Gwyneth Holston · February 3, 2014

The Heresy of Formlessness

How have I not read Martin Mosebach’s book before now?

Gwyneth Holston · January 27, 2014

Do You Like This Painting or Not?

Help me decide what to think on the feast of St. John Chrysostom.

Gwyneth Holston · January 20, 2014

Twelve Films I Recommend to Catholic Artists

These films withstand repeated viewing because of their richness and complexity.

Gwyneth Holston · January 13, 2014

Upcoming Opportunities for Catholic Visual Artists

A call for entries, two summer programs, and two places to get published!

Gwyneth Holston · January 6, 2014

St. Eulalia by John William Waterhouse

A daring painting for a daring saint.

Gwyneth Holston · December 30, 2013

Tips for Parents in Guiding Artistic Teenagers

Suggestion #6: After high school, don’t send your child to an art college.

Gwyneth Holston · December 23, 2013

Good King Wenceslas Looked Out When?

The connection between the Feast of the Nativity and the Feast of St. Stephen.

Gwyneth Holston · December 16, 2013

Impatiently Awaiting the Publication of the English Translation of von Hildebrand’s Aesthetics

Finally, English-speakers will able to read Hildebrand’s examination of the splendor of beauty.

Gwyneth Holston · December 9, 2013

The Greatest Catholic Painter You’ve Never Heard Of

Why I am besotted with Enguerrand Quarton

Gwyneth Holston · December 2, 2013

Enough is Enough!

Why are our Catholic bookstores full of bad art?

Gwyneth Holston · November 25, 2013

Hans Memling’s Masterpiece: The Last Judgment

Christmas is coming! For Catholics, that means its time to think about the Apocalypse.

Gwyneth Holston · November 18, 2013

St. Catherine of Alexandria, November 25th

Brilliant. Beautiful. Beheaded.

Gwyneth Holston · November 14, 2013

13th Century Sacred Art Class

Thomas More College Artist-in-Residence, David Clayton, to teach a class on painting in the English gothic style.

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“To suggest, even loosely, that Catholics walk a more or less similar path to God as other religions drains martyrdom of its meaning. Why give up your life for Christ when other paths may get us to the same God? Such a sacrifice would be senseless.”

— Archbishop Charles J. Chaput

Recent Posts

  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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