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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

Gwyneth Holston · February 17, 2014

Musing Over Mass at MIT

Perhaps after a few more decades of research, MIT will be able to design an attractive chapel.

Gwyneth Holston · February 10, 2014

How to repaint a statue with professional results

Were your parish’s statues whitewashed in the eighties? Here’s how to restore them to their former glory.

Gwyneth Holston · February 3, 2014

The Heresy of Formlessness

How have I not read Martin Mosebach’s book before now?

Gwyneth Holston · January 27, 2014

Do You Like This Painting or Not?

Help me decide what to think on the feast of St. John Chrysostom.

Gwyneth Holston · January 20, 2014

Twelve Films I Recommend to Catholic Artists

These films withstand repeated viewing because of their richness and complexity.

Gwyneth Holston · January 13, 2014

Upcoming Opportunities for Catholic Visual Artists

A call for entries, two summer programs, and two places to get published!

Gwyneth Holston · January 6, 2014

St. Eulalia by John William Waterhouse

A daring painting for a daring saint.

Gwyneth Holston · December 30, 2013

Tips for Parents in Guiding Artistic Teenagers

Suggestion #6: After high school, don’t send your child to an art college.

Gwyneth Holston · December 23, 2013

Good King Wenceslas Looked Out When?

The connection between the Feast of the Nativity and the Feast of St. Stephen.

Gwyneth Holston · December 16, 2013

Impatiently Awaiting the Publication of the English Translation of von Hildebrand’s Aesthetics

Finally, English-speakers will able to read Hildebrand’s examination of the splendor of beauty.

Gwyneth Holston · December 9, 2013

The Greatest Catholic Painter You’ve Never Heard Of

Why I am besotted with Enguerrand Quarton

Gwyneth Holston · December 2, 2013

Enough is Enough!

Why are our Catholic bookstores full of bad art?

Gwyneth Holston · November 25, 2013

Hans Memling’s Masterpiece: The Last Judgment

Christmas is coming! For Catholics, that means its time to think about the Apocalypse.

Gwyneth Holston · November 18, 2013

St. Catherine of Alexandria, November 25th

Brilliant. Beautiful. Beheaded.

Gwyneth Holston · November 14, 2013

13th Century Sacred Art Class

Thomas More College Artist-in-Residence, David Clayton, to teach a class on painting in the English gothic style.

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

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  • “Musicam Sacram” (5 March 1967) • Does It Apply?
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