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Views from the Choir Loft

Musing Over Mass at MIT

Gwyneth Holston · February 17, 2014

GWYN_Calculus

Calculus: Useful for finding the values of coefficients in the equation of a plane that is defined by two non-parallel vectors within it, but useless in determining the aesthetic value of that plane in the first place.


GWYN_figure 2 Star Trek Transporter N FEBRUARY 9, 2014 the Massachusetts Institute of Technology chapel was home to its first Latin Mass in over fifty years. It was a surreal experience. The chapel was built in 1955 and designed by Eero Saarinen. It is essentially a windowless brick cylinder illuminated by an oculus above a metallic tapestry in the sanctuary area. As you can see from the pictures, the sanctuary is reminiscent of the Transporter on the Starship Enterprise.

GWYN_figure 1 MIT chapel Sanctuary The very ugliness of the building made me ache with sadness for the poor engineering students who spend their days in grey classrooms and dismal labs. It is a milieu that considers aesthetics nice but superfluous and certainly inferior to “useful” research and design.

The positive result of having mass in such a depressing space is that every detail of the mass exuded a soothing beauty. Candles, vestments, and incense are used because of the power of their symbolic value, not because they are the most efficient materials for lighting, clothing, and perfuming.

GWYN_MIT mass Juventutem Boston 1 did a spectacular job in coordinating the Solemn High Mass. Fr. John Cassani was the celebrant and Fr. Kwang Lee gave the homily. Around 150 people crammed into the tiny chapel and knelt on the hard floor. Most of the attendees were college-age and joyfully joined in singing the Mass of the Angels and the recessional hymn, “Faith of Our Fathers.”



NOTES FROM THIS ARTICLE:

1   N.B. Juventutem Boston is organizing three more Traditional Latin masses at St. Paul’s church in Cambridge on February 23th, March 25th, and April 27th. For more information, visit their website (juventutemboston.com) or their facebook page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Gerard Manley Hopkins once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill.”

— A biography of Fr. Gerard M. Hopkins (d. 1889)

Recent Posts

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  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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