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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Corpus Christi Watershed

Corpus Christi Watershed · October 2, 2025

“Fulfilled!” • Bride’s Musical Request

Sophia Institute Press has been generous in this regard.

Corpus Christi Watershed · September 28, 2025

“Allow Us to protect your interests, even against your own will.” —Pope Saint Paul VI

“A choir which eliminates Gregorian Chant will be like a snuffed candle, which no more attracts the eyes and minds of men.”

Corpus Christi Watershed · September 27, 2025

Church Facelift • Saint Andrew’s (Tipton, Missouri)

You won’t believe this transformation!

Corpus Christi Watershed · September 8, 2025

“The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)

“If you think the subject of ‘Traditionis Custodes’ was absent during my visits to the Vatican, you are mistaken…” —Sławomir Cenckiewicz

Corpus Christi Watershed · September 7, 2025

Karl Keating • “Canonization Questions”

Mr. Keating is incorrect; e.g. Saint John Vianney, several centuries ago, taught clearly that canonizations are not infallible.

Corpus Christi Watershed · September 6, 2025

Vatican II Changed Wedding Propers?

This myth is quite pervasive.

Corpus Christi Watershed · August 22, 2025

Father Chris Smith Celebrates 20 Years as a Priest

We believe our readers will recognize the polyphonic Mass setting chosen.

Corpus Christi Watershed · August 14, 2025

Solemn “Salve Regina” (Chant)

The Schwann edition is on 4 lines, the version by Dr. Weinmann is on 5.

Corpus Christi Watershed · August 9, 2025

“We Laughed It Off” • Archbishop of Portland on the Elimination of Latin from the Sacred Liturgy

“It seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.” — Most Rev. Robert J. Dwyer (d. 1976)

Corpus Christi Watershed · July 10, 2025

The Tallis Scholars

This year, Sacred Music Symposium 2025 took part in “Palestrina500” at Sacred Heart in Grand Rapids.

Corpus Christi Watershed · July 8, 2025

Pope Saint Paul VI to Consilium (14 October 1968)

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character.” —Pope Saint Paul VI

Corpus Christi Watershed · July 8, 2025

August 2025 • “Colorado Sacred Music Conference”

Registration is now open!

Corpus Christi Watershed · July 4, 2025

Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

As of 4 July 2025, Bishop Reed’s post on Twitter had received 188,800 views.

Corpus Christi Watershed · June 18, 2025

Pope Leo XIV pays tribute to Palestrina

“Palestrina500” at the Vatican, with Pope Leo XIV.

Corpus Christi Watershed · June 13, 2025

Pope Pius XII Hymnal?

This extremely rare hymnal was published in 1959.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

Recent Posts

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  • Exclusive Interview • “Púeri Cantóres” President

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