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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Jeff’s Mom Joins Our Fundraiser”

Jeff Ostrowski · July 15, 2025

HE ABBAT OF SILOS, Dom Guépin, described how Dom Pothier began restoring authentic plainsong using lithography: “The Maestro created everything by hand, and made up for the imperfection of his equipment by superhuman patience and ingenious procedures he invented. Dom Pothier, himself, also acted as an illustrator, decorating his work with vignettes, illuminated capitals, tailpieces, and even full-page illustrations representing the mysteries of the Annunciation and Christmas. […] We never dreamt that one day the melodies we were chanting—at first with so much difficulty—would slowly make their way round the whole of Christendom.”

Jeff’s Mom • Earlier this year, my mother found out we desperately needed funds and were planning to run a fundraiser. She wanted to help. Realizing no decent image of Dom Pothier was available, she sat down and drew these beautiful sketches, which she has made available free of charge to the CORPUS CHRISTI WATERSHED audience:

*  PDF Download • Abbat Joseph Pothier (FIRST VERSION)
—Original Sketch by Kathleen Ostrowski (April 2025).

*  PDF Download • Abbat Joseph Pothier (SECOND VERSION)
—Original Sketch by Kathleen Ostrowski (April 2025).

Trying To Honor Him • Those who have read this blog for the last fifteen years know how highly we esteem Abbat Joseph Pothier. We attempted to add the Pothier sketch to our header. When my mother saw this, she quickly drew a sketch of Cardinal Ratzinger, who’s been on our header since 2012:

*  PDF Download • Cardinal Ratzinger (2025 Sketch)

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“Artificial Intelligence” Digression • Over the last few years, there has been a fair amount of discussion vis-à-vis “artificial intelligence.” It isn’t my intention to enter that debate at this moment. I would simply point out that the last thing today’s society needs is more fake art! Several of our authors have lamented “artificial intelligence” plainsong. In other words, some companies offer computer programs that vomit out pseudo-chant compositions. Needless to say, such “ai” compositions lack authentic inspiration and beauty. On our website, we have attempted to promote plainsong that is genuinely beautiful.

We recently heard an example of this at our parish’s Sunday Mass. I wish you could’ve been there in person, because the microphones cannot reproduce how uttrerly gorgeous it sounded. The conductor was Kaitrin Drost:

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Abbat Joseph Pothier, Abbot Joseph Pothier of Solesmes, Dom Lucien David Saint Wandrille Abbey, Dom Pothier Last Updated: July 21, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

Recent Posts

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  • New Bulletin Article • “21 September 2025”
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  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”

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