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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Register Today!” • Sacred Music Symposium 2025

Jeff Ostrowski · February 12, 2025

S OF A FEW MINUTES AGO, enrollment has opened for the 2025 Sacred Music Symposium. If you visit the official website you can download the SCHEDULE OF EVENTS for 2025. We couldn’t be more excited about this year’s conference. The repertoire is peerless; the best of the best. Here are three things that distinguish our conference: (a) The bulk of it is dedicated to interactive rehearsals, in which participants are shown how to run a rehearsal properly; (b) All our presenters have established (in the real world) acclaimed music programs at the parish level; (c) The church we’re singing in has incomparable acoustics, even nicer than SAINT VICTOR in West Hollywood (where we held the first symposium) which had splendid acoustics.

You can download the official 2025 poster:

*  PDF Download • 2025 POSTER (High Resolution)

News! News! News! • A generous benefactor has agreed to cover 50% of the tuition for those who register before 5 May 2025 (Feast of Pope Saint Pius V). This offer is outstanding, and you can learn all about it by visiting the official website for Sacred Music Symposium 2025.

(1 of 3) Giving Back • I grew up with a ton of brothers (but just one sister). They were obsessed with playing certain computer games where you control your character in a make-believe world. They had to choose which NPC faction they wanted to fight with: the “Alliance” or the “Horde.” One day I asked: “So, how come neither side ever wins the game?” My brothers explained the game will never end—the ALLIANCE will be fighting the HORDE eternally.

(2 of 3) Giving Back • That computer game reminds me of the battle for authentic sacred music. It seems extremely unlikely we’ll ever succeed in eradicating all undignified music from every single Catholic Church. But as the great Monsignor Robert Alex Skeris reminded us: “Say not the struggle nought availeth.” Ours is a fight worth fighting—no matter the outcome!

(3 of 3) Giving Back • Having founded the annual Sacred Music Symposium ten years ago, I must admit it requires a lot more work than I’d imagined. But it’s kind of like parents who—out of a super-abundance of love—choose to adopt orphans. My colleagues and I have been given so much, this conference is an opportunity for us to “give something back.”

The rare photograph below was taken at the very first Sacred Music Symposium:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Sacred Music Symposium, Sacred Music Symposium 2025 Last Updated: May 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Ways to receive Our Lord as King of the Universe…read and reflect on the Sunday Scriptures, plan your whole weekend around receiving your King, wear your best garments, spend time in quiet, kneel to receive Him, receive Him on the tongue, offer silent time of thanks after mass.”

— Most Rev. Bishop Strickland (15 December)

Recent Posts

  • Entrance Chant • Before or After Opening Hymn?
  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)

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