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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Register Today!” • Sacred Music Symposium 2025

Jeff Ostrowski · February 12, 2025

S OF A FEW MINUTES AGO, enrollment has opened for the 2025 Sacred Music Symposium. If you visit the official website you can download the SCHEDULE OF EVENTS for 2025. We couldn’t be more excited about this year’s conference. The repertoire is peerless; the best of the best. Here are three things that distinguish our conference: (a) The bulk of it is dedicated to interactive rehearsals, in which participants are shown how to run a rehearsal properly; (b) All our presenters have established (in the real world) acclaimed music programs at the parish level; (c) The church we’re singing in has incomparable acoustics, even nicer than SAINT VICTOR in West Hollywood (where we held the first symposium) which had splendid acoustics.

You can download the official 2025 poster:

*  PDF Download • 2025 POSTER (High Resolution)

News! News! News! • A generous benefactor has agreed to cover 50% of the tuition for those who register before 5 May 2025 (Feast of Pope Saint Pius V). This offer is outstanding, and you can learn all about it by visiting the official website for Sacred Music Symposium 2025.

(1 of 3) Giving Back • I grew up with a ton of brothers (but just one sister). They were obsessed with playing certain computer games where you control your character in a make-believe world. They had to choose which NPC faction they wanted to fight with: the “Alliance” or the “Horde.” One day I asked: “So, how come neither side ever wins the game?” My brothers explained the game will never end—the ALLIANCE will be fighting the HORDE eternally.

(2 of 3) Giving Back • That computer game reminds me of the battle for authentic sacred music. It seems extremely unlikely we’ll ever succeed in eradicating all undignified music from every single Catholic Church. But as the great Monsignor Robert Alex Skeris reminded us: “Say not the struggle nought availeth.” Ours is a fight worth fighting—no matter the outcome!

(3 of 3) Giving Back • Having founded the annual Sacred Music Symposium ten years ago, I must admit it requires a lot more work than I’d imagined. But it’s kind of like parents who—out of a super-abundance of love—choose to adopt orphans. My colleagues and I have been given so much, this conference is an opportunity for us to “give something back.”

The rare photograph below was taken at the very first Sacred Music Symposium:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Sacred Music Symposium, Sacred Music Symposium 2025 Last Updated: May 1, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

Recent Posts

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  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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