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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Was “Ordinary Time” Found in the 1962 Missal?

Jeff Ostrowski · January 14, 2025

S FAR AS I can tell, experts in Latin never use the term “Ordinary Time.” It’s a terrible translation of per annum. For example, Father Valentine Young, OFM, always translated it as “through the year.” Father Samuel Weber—who for many years taught Latin in the seminary—did the same thing. (Father Samuel Weber was a great admirer of Gregorian Chant. However, when he published his English adaptations, he used the Adalbert Propers instead of the ancient chants in the GRADUALE ROMANUM—and I would give a great deal to know why.)

1962 Missal • In the Roman Rite, Sundays which follow cardinal feasts have a “markèd character.” The Church’s three cardinal feasts are: Epiphany, Easter, and Pentecost. But the reformers (for reasons which have never been explained) eliminated all Sundays of a markèd character. On the other hand, it’s important to realize that Tempus Per Annum initially came from the 1962 MISSALE ROMANUM, which was in many ways of “transitional” missal. I realize some of the so-called “ultra-traditionalists” deny this—but all you have to do is open up the 1962 Missal:

*  PDF Download • MISSALE ROMANUM (1962 edition)
—The term “Tempus Per Annum” comes from the 1962 Missal.

“Ordinal” Time? • Online commentators sometimes attempt to justify the faulty translation of tempus per annum by pretending it actually means “Ordinal Time.” That is to say: Sundays ordered one after another. As far as I can tell, there is no justification whatsoever for such a notion. If you don’t believe me, look up the word “ordinary” in the dictionary. Just because two words sound similar doesn’t mean they are synonymous.

Eucharistic Prayer No. 2 • Father Louis Bouyer (the one chosen by the pope to compose EUCHARISTIC PRAYER NO. 2) famously wrote as follows about the changes made to the calendar by the 1960s reformers:

“I prefer to say nothing, or little, about the new calendar, the handiwork of a trio of maniacs who suppressed, with no good reason, Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piggledy, all based on notions of their own devising! Because these three hotheads obstinately refused to change anything in their work and because the pope wanted to finish up quickly to avoid letting the chaos get out of hand, their project, however insane, was accepted!”

Someday, all of this must be sorted out.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Louis Bouyer Oratorian Priest, Propers Ignatius Press by Fr Samuel Weber, Rev Fr Valentine Young OFM, Traditional Latin Mass Last Updated: January 14, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

Recent Posts

  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?

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