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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Was “Ordinary Time” Found in the 1962 Missal?

Jeff Ostrowski · January 14, 2025

S FAR AS I can tell, experts in Latin never use the term “Ordinary Time.” It’s a terrible translation of per annum. For example, Father Valentine Young, OFM, always translated it as “through the year.” Father Samuel Weber—who for many years taught Latin in the seminary—did the same thing. (Father Samuel Weber was a great admirer of Gregorian Chant. However, when he published his English adaptations, he used the Adalbert Propers instead of the ancient chants in the GRADUALE ROMANUM—and I would give a great deal to know why.)

1962 Missal • In the Roman Rite, Sundays which follow cardinal feasts have a “markèd character.” The Church’s three cardinal feasts are: Epiphany, Easter, and Pentecost. But the reformers (for reasons which have never been explained) eliminated all Sundays of a markèd character. On the other hand, it’s important to realize that Tempus Per Annum initially came from the 1962 MISSALE ROMANUM, which was in many ways of “transitional” missal. I realize some of the so-called “ultra-traditionalists” deny this—but all you have to do is open up the 1962 Missal:

*  PDF Download • MISSALE ROMANUM (1962 edition)
—The term “Tempus Per Annum” comes from the 1962 Missal.

“Ordinal” Time? • Online commentators sometimes attempt to justify the faulty translation of tempus per annum by pretending it actually means “Ordinal Time.” That is to say: Sundays ordered one after another. As far as I can tell, there is no justification whatsoever for such a notion. If you don’t believe me, look up the word “ordinary” in the dictionary. Just because two words sound similar doesn’t mean they are synonymous.

Eucharistic Prayer No. 2 • Father Louis Bouyer (the one chosen by the pope to compose EUCHARISTIC PRAYER NO. 2) famously wrote as follows about the changes made to the calendar by the 1960s reformers:

“I prefer to say nothing, or little, about the new calendar, the handiwork of a trio of maniacs who suppressed, with no good reason, Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piggledy, all based on notions of their own devising! Because these three hotheads obstinately refused to change anything in their work and because the pope wanted to finish up quickly to avoid letting the chaos get out of hand, their project, however insane, was accepted!”

Someday, all of this must be sorted out.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Louis Bouyer Oratorian Priest, Propers Ignatius Press by Fr Samuel Weber, Rev Fr Valentine Young OFM, Traditional Latin Mass Last Updated: January 14, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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