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Views from the Choir Loft

Was “Ordinary Time” Found in the 1962 Missal?

Jeff Ostrowski · January 14, 2025

S FAR AS I can tell, experts in Latin never use the term “Ordinary Time.” It’s a terrible translation of per annum. For example, Father Valentine Young, OFM, always translated it as “through the year.” Father Samuel Weber—who for many years taught Latin in the seminary—did the same thing. (Father Samuel Weber was a great admirer of Gregorian Chant. However, when he published his English adaptations, he used the Adalbert Propers instead of the ancient chants in the GRADUALE ROMANUM—and I would give a great deal to know why.)

1962 Missal • In the Roman Rite, Sundays which follow cardinal feasts have a “markèd character.” The Church’s three cardinal feasts are: Epiphany, Easter, and Pentecost. But the reformers (for reasons which have never been explained) eliminated all Sundays of a markèd character. On the other hand, it’s important to realize that Tempus Per Annum initially came from the 1962 MISSALE ROMANUM, which was in many ways of “transitional” missal. I realize some of the so-called “ultra-traditionalists” deny this—but all you have to do is open up the 1962 Missal:

*  PDF Download • MISSALE ROMANUM (1962 edition)
—The term “Tempus Per Annum” comes from the 1962 Missal.

“Ordinal” Time? • Online commentators sometimes attempt to justify the faulty translation of tempus per annum by pretending it actually means “Ordinal Time.” That is to say: Sundays ordered one after another. As far as I can tell, there is no justification whatsoever for such a notion. If you don’t believe me, look up the word “ordinary” in the dictionary. Just because two words sound similar doesn’t mean they are synonymous.

Eucharistic Prayer No. 2 • Father Louis Bouyer (the one chosen by the pope to compose EUCHARISTIC PRAYER NO. 2) famously wrote as follows about the changes made to the calendar by the 1960s reformers:

“I prefer to say nothing, or little, about the new calendar, the handiwork of a trio of maniacs who suppressed, with no good reason, Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piggledy, all based on notions of their own devising! Because these three hotheads obstinately refused to change anything in their work and because the pope wanted to finish up quickly to avoid letting the chaos get out of hand, their project, however insane, was accepted!”

Someday, all of this must be sorted out.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Louis Bouyer Oratorian Priest, Propers Ignatius Press by Fr Samuel Weber, Rev Fr Valentine Young OFM, Traditional Latin Mass Last Updated: January 14, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Vatican II did not say anything about the direction of the celebrant. […] I love both directions of celebrating Mass. Both are full of meaning for me. Both help me to encounter Christ—and that is, after all, the purpose of the liturgy.”

— Christoph Cardinal Schönborn (February 2007)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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