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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Communion Chant” (Epiphany)

Jeff Ostrowski · January 3, 2025

LL OF US KNOW folks who can’t go 60 seconds without complaining. But I doubt great artists (such as Father Francisco Guerrero, Luca Marenzio, or J.S. Bach) spent much time complaining—because if they had, how would they have been able to complete countless masterpieces? As someone intimately involved with the TLM Mass since the 1990s, I heard lots of complaining about the date of the EPIPHANY. Folks would say: “Oh, those evil bishops! How dare they move the EPIPHANY to a Sunday?” But I noticed that 99% of the people who complained in this way didn’t bother to attend Mass on 6 January (the day on which the 1962 calendar celebrates the EPIPHANY). Inadvertently, such people vindicated the very bishops they were trying to attack!

Communion Chant • In a moment, I’ll discuss the date of the EPIPHANY—but first I want to show you the Communion Chant I harmonized for this Sunday. In the video, I attempted to sing it while simultaneously accompanying myself on the pipe organ:

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Moving The Date • Without question, the EPIPHANY should not have been moved from 6 January, because that tradition is too ancient to ‘tinker’ with. The 1970 calendar should have allowed what’s known as an “external solemnity,” meaning the EPIPHANY could be celebrated on a Sunday without wrecking its connection to 6 January. Believe it or not, moving feasts to the nearest Sunday happened all the time before the Second Vatican Council. It was done with the feast of the Holy Rosary. It was done with the feast of Saints Peter and Paul. It was done with the feast of Corpus Christi. It was done with the feast of the Sacred Heart. And so forth. An even better solution would be to eliminate January 1st as a holy day of obligation—because scholars now disagree with Hannibal Bugnini vis-à-vis the history of the “Mary, Mother of God” feast—and make January 6th a holy day of obligation. Perhaps this situation can be rectified (or “sorted” as the British say) in the future.

If you enjoy that Communion Antiphon, click on the Feasts Website. There’s tons of great stuff there!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, epiphany, Epiphanytide Last Updated: January 4, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

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