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Views from the Choir Loft

PDF Download • “Communion Chant” (Epiphany)

Jeff Ostrowski · January 3, 2025

LL OF US KNOW folks who can’t go 60 seconds without complaining. But I doubt great artists (such as Father Francisco Guerrero, Luca Marenzio, or J.S. Bach) spent much time complaining—because if they had, how would they have been able to complete countless masterpieces? As someone intimately involved with the TLM Mass since the 1990s, I heard lots of complaining about the date of the EPIPHANY. Folks would say: “Oh, those evil bishops! How dare they move the EPIPHANY to a Sunday?” But I noticed that 99% of the people who complained in this way didn’t bother to attend Mass on 6 January (the day on which the 1962 calendar celebrates the EPIPHANY). Inadvertently, such people vindicated the very bishops they were trying to attack!

Communion Chant • In a moment, I’ll discuss the date of the EPIPHANY—but first I want to show you the Communion Chant I harmonized for this Sunday. In the video, I attempted to sing it while simultaneously accompanying myself on the pipe organ:

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Moving The Date • Without question, the EPIPHANY should not have been moved from 6 January, because that tradition is too ancient to ‘tinker’ with. The 1970 calendar should have allowed what’s known as an “external solemnity,” meaning the EPIPHANY could be celebrated on a Sunday without wrecking its connection to 6 January. Believe it or not, moving feasts to the nearest Sunday happened all the time before the Second Vatican Council. It was done with the feast of the Holy Rosary. It was done with the feast of Saints Peter and Paul. It was done with the feast of Corpus Christi. It was done with the feast of the Sacred Heart. And so forth. An even better solution would be to eliminate January 1st as a holy day of obligation—because scholars now disagree with Hannibal Bugnini vis-à-vis the history of the “Mary, Mother of God” feast—and make January 6th a holy day of obligation. Perhaps this situation can be rectified (or “sorted” as the British say) in the future.

If you enjoy that Communion Antiphon, click on the Feasts Website. There’s tons of great stuff there!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, epiphany, Epiphanytide Last Updated: January 4, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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