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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • New Version of “What Child Is This” (SATB) … as of 18 December 2024

Jeff Ostrowski · December 18, 2024

IXON SERVED as president from 1969 to 1974. He frequently brought up a speech given in Paris by his predecessor (Teddy Roosevelt) called The Man in the Arena. Those of us who post articles and compositions on this blog are likewise “in the arena”—whether we like it or not. In other words, we come within the view of the public. As a result, some of us become the object of insults, slander, and malicious gossip. Over the years, I’ve sometimes1 provided examples; not to evoke pity or portray myself as some sort of a martyr. Rather, I shared this information to make it clear to my fellow church musicians that one must expect such treatment once you enter “the arena.”

Those Awesome People • Why is being in “the arena” totally worth it? Because one meets so many generous and wonderful Catholics. In the face of defamatory statements (especially by those whom we’ve gone out of our way to help) it’s crucial to focus on the awesome people—not the haters. One example of a terrific person I’ve become friends with is CORRINNE MAY, a ‘platinum’ singer-songwriter who’s doing truly magnificent work forming parish choirs in Singapore.

Her Request • Corrinne asked whether my arrangement of What Child Is This? in Latin could be placed into English instead. This afternoon, I was able to complete this task:

*  PDF Download • WHAT CHILD IS THIS? (18-DEC-2024)

Here’s the original version, posted two years ago:

If you’re interested in a PDF score of the Latin version—or rehearsal videos—please click here.

1 Let me give just one example. A few years ago, I was attacked online by a certain priest who had misunderstood one of my articles. This priest serves as RECTOR (!) of a cathedral, believe it or not. One of the things he claimed online was that I don’t accept the validity of the Novus Ordo Missae. His claim is rather rich, because for twenty years I’ve personally created thousands of scores, rehearsal videos, and tutorials for the ORDINARY FORM—scores which have garnered millions of downloads all over the world. I watched on social media to see whether anyone would come my defense. I thought (perhaps) some of the people who use my Novus Ordo scores on a weekly basis might speak up on my behalf. But not a single person did so—and this is part of being “in the arena.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Corrinne May, Latin Christmas Carols, Latin What Child Is This, Richard Milhous Nixon, The Man in the Arena, What Child Is This? Last Updated: December 18, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

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