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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • New Version of “What Child Is This” (SATB) … as of 18 December 2024

Jeff Ostrowski · December 18, 2024

IXON SERVED as president from 1969 to 1974. He frequently brought up a speech given in Paris by his predecessor (Teddy Roosevelt) called The Man in the Arena. Those of us who post articles and compositions on this blog are likewise “in the arena”—whether we like it or not. In other words, we come within the view of the public. As a result, some of us become the object of insults, slander, and malicious gossip. Over the years, I’ve sometimes1 provided examples; not to evoke pity or portray myself as some sort of a martyr. Rather, I shared this information to make it clear to my fellow church musicians that one must expect such treatment once you enter “the arena.”

Those Awesome People • Why is being in “the arena” totally worth it? Because one meets so many generous and wonderful Catholics. In the face of defamatory statements (especially by those whom we’ve gone out of our way to help) it’s crucial to focus on the awesome people—not the haters. One example of a terrific person I’ve become friends with is CORRINNE MAY, a ‘platinum’ singer-songwriter who’s doing truly magnificent work forming parish choirs in Singapore.

Her Request • Corrinne asked whether my arrangement of What Child Is This? in Latin could be placed into English instead. This afternoon, I was able to complete this task:

*  PDF Download • WHAT CHILD IS THIS? (18-DEC-2024)

Here’s the original version, posted two years ago:

If you’re interested in a PDF score of the Latin version—or rehearsal videos—please click here.

1 Let me give just one example. A few years ago, I was attacked online by a certain priest who had misunderstood one of my articles. This priest serves as RECTOR (!) of a cathedral, believe it or not. One of the things he claimed online was that I don’t accept the validity of the Novus Ordo Missae. His claim is rather rich, because for twenty years I’ve personally created thousands of scores, rehearsal videos, and tutorials for the ORDINARY FORM—scores which have garnered millions of downloads all over the world. I watched on social media to see whether anyone would come my defense. I thought (perhaps) some of the people who use my Novus Ordo scores on a weekly basis might speak up on my behalf. But not a single person did so—and this is part of being “in the arena.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Corrinne May, Latin Christmas Carols, Latin What Child Is This, Richard Milhous Nixon, The Man in the Arena, What Child Is This? Last Updated: December 18, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The Catholic Church has a dignity far surpassing that of every merely human society, for it was founded by Christ the Lord. It is altogether fitting, therefore, that the language it uses should be noble, majestic, and non-vernacular.”

— Blessed John XXIII (22 February 1962)

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