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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • New Version of “What Child Is This” (SATB) … as of 18 December 2024

Jeff Ostrowski · December 18, 2024

IXON SERVED as president from 1969 to 1974. He frequently brought up a speech given in Paris by his predecessor (Teddy Roosevelt) called The Man in the Arena. Those of us who post articles and compositions on this blog are likewise “in the arena”—whether we like it or not. In other words, we come within the view of the public. As a result, some of us become the object of insults, slander, and malicious gossip. Over the years, I’ve sometimes1 provided examples; not to evoke pity or portray myself as some sort of a martyr. Rather, I shared this information to make it clear to my fellow church musicians that one must expect such treatment once you enter “the arena.”

Those Awesome People • Why is being in “the arena” totally worth it? Because one meets so many generous and wonderful Catholics. In the face of defamatory statements (especially by those whom we’ve gone out of our way to help) it’s crucial to focus on the awesome people—not the haters. One example of a terrific person I’ve become friends with is CORRINNE MAY, a ‘platinum’ singer-songwriter who’s doing truly magnificent work forming parish choirs in Singapore.

Her Request • Corrinne asked whether my arrangement of What Child Is This? in Latin could be placed into English instead. This afternoon, I was able to complete this task:

*  PDF Download • WHAT CHILD IS THIS? (18-DEC-2024)

Here’s the original version, posted two years ago:

If you’re interested in a PDF score of the Latin version—or rehearsal videos—please click here.

1 Let me give just one example. A few years ago, I was attacked online by a certain priest who had misunderstood one of my articles. This priest serves as RECTOR (!) of a cathedral, believe it or not. One of the things he claimed online was that I don’t accept the validity of the Novus Ordo Missae. His claim is rather rich, because for twenty years I’ve personally created thousands of scores, rehearsal videos, and tutorials for the ORDINARY FORM—scores which have garnered millions of downloads all over the world. I watched on social media to see whether anyone would come my defense. I thought (perhaps) some of the people who use my Novus Ordo scores on a weekly basis might speak up on my behalf. But not a single person did so—and this is part of being “in the arena.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Corrinne May, Latin Christmas Carols, Latin What Child Is This, Richard Milhous Nixon, The Man in the Arena, What Child Is This? Last Updated: December 18, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

If they protest and want, for example, to retain at least the familiar chants of the ordinary Mass in Latin, they are told that their protest is worthless. They are not “trained.” There is no reason to take account of what they say!

— Father Louis Bouyer (1968)

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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