• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • New Version of “What Child Is This” (SATB) … as of 18 December 2024

Jeff Ostrowski · December 18, 2024

IXON SERVED as president from 1969 to 1974. He frequently brought up a speech given in Paris by his predecessor (Teddy Roosevelt) called The Man in the Arena. Those of us who post articles and compositions on this blog are likewise “in the arena”—whether we like it or not. In other words, we come within the view of the public. As a result, some of us become the object of insults, slander, and malicious gossip. Over the years, I’ve sometimes1 provided examples; not to evoke pity or portray myself as some sort of a martyr. Rather, I shared this information to make it clear to my fellow church musicians that one must expect such treatment once you enter “the arena.”

Those Awesome People • Why is being in “the arena” totally worth it? Because one meets so many generous and wonderful Catholics. In the face of defamatory statements (especially by those whom we’ve gone out of our way to help) it’s crucial to focus on the awesome people—not the haters. One example of a terrific person I’ve become friends with is CORRINNE MAY, a ‘platinum’ singer-songwriter who’s doing truly magnificent work forming parish choirs in Singapore.

Her Request • Corrinne asked whether my arrangement of What Child Is This? in Latin could be placed into English instead. This afternoon, I was able to complete this task:

*  PDF Download • WHAT CHILD IS THIS? (18-DEC-2024)

Here’s the original version, posted two years ago:

If you’re interested in a PDF score of the Latin version—or rehearsal videos—please click here.

1 Let me give just one example. A few years ago, I was attacked online by a certain priest who had misunderstood one of my articles. This priest serves as RECTOR (!) of a cathedral, believe it or not. One of the things he claimed online was that I don’t accept the validity of the Novus Ordo Missae. His claim is rather rich, because for twenty years I’ve personally created thousands of scores, rehearsal videos, and tutorials for the ORDINARY FORM—scores which have garnered millions of downloads all over the world. I watched on social media to see whether anyone would come my defense. I thought (perhaps) some of the people who use my Novus Ordo scores on a weekly basis might speak up on my behalf. But not a single person did so—and this is part of being “in the arena.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Corrinne May, Latin Christmas Carols, Latin What Child Is This, Richard Milhous Nixon, The Man in the Arena, What Child Is This? Last Updated: December 18, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

In a meeting that took place on 23 July 2014, Pope Benedict told Father Josef Bisig, FSSP, that “Pope Saint John Paul II had the firm intention to personally bestow the episcopal consecration on an SSPX priest on 15 August 1988.”

— Libre entretien sur l’été 1988, Sedes Sapientiæ, issue 160, summer 2022

Recent Posts

  • An Arranger’s Walkthrough of “King’s Weston” (PDF & MP3 Downloads)
  • Now Online! • “Rare Latin + English Missal” (Burns and Oates, 1961) — 1,737 pages
  • Jeffrey Tucker: “USCCB Deserves Scorn for Maintaining Strict Copyright Over Liturgical Texts.”
  • Solemn “Salve Regina” (Chant)
  • A Nice Hymn In Spanish

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.