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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2024

Jeff Ostrowski · November 14, 2024

PDF • SATB Enhancement (“Our Father”)

“As the congregation sings their part, the choir “enhances” them with polyphony. This is genius!” — Veronica Moreno

Richard J. Clark · November 14, 2024

PDF Download • “Put Out into the Deep”

“His appointment was somewhat unexpected as he was installed as Bishop of Providence in May of 2023.” — Richard J. Clark

Veronica Moreno · November 13, 2024

PDF Download • “Polyphonic Enhancement” for the Lord’s Prayer (Mass in English)

As the congregation sings their part, the choir “enhances” them with polyphony. This is genius!

Jeff Ostrowski · November 12, 2024

PDF Download • “Entrance Chant” for this Coming Sunday (33rd Sunday in Ordinary Time)

The sixth mode is sometimes the “peaceful” mode.

Jeff Ostrowski · November 12, 2024

“Entrance Chant” • Sunday (17 Nov. 2024)

This Introit is in the sixth mode (known as the “peaceful” mode).

Jeff Ostrowski · November 12, 2024

Internet Trolls + Cardinal Merry Del Val

We sometimes receive messages which…

Jeff Ostrowski · November 12, 2024

Confirmed! • Bp. Woost Elected Chairman of “Committee on Divine Divine Worship”

For sixty years, Catholics have demanded to know what is gained by the ceaseless tinkering with liturgical translations.

Jeff Ostrowski · November 11, 2024

“Quotation” • Pope Pius X on Plainsong

“That would be to me the finest triumph sacred music could have…” —Giuseppe Cardinal Sarto (1897)

Jeff Ostrowski · November 11, 2024

Genitive Case

In Latin, the genitive case is sometimes unclear.

Rebecca De La Torre · November 11, 2024

Advent • “Introducing Ancient Sacred Works”

“In less than a year, I was able to transition their Spanish Mass from completely contemporary to completely sacred. No parishioners were lost and the Mass attendance grew slightly.” —Rebecca De La Torre

Corpus Christi Watershed · November 11, 2024

Cardinal Arinze • “Recent Latin Mass Restrictions”

Francis Cardinal Arinze served as Prefect of the Vatican’s “Congregation for Divine Worship and the Discipline of the Sacraments” from 2002 to 2008.

Jeff Ostrowski · November 9, 2024

Liquescent Notes in the Official Edition

A perfect “apples-to-apples” comparison.

Corpus Christi Watershed · November 9, 2024

“Reader Feedback” • 9 November 2024

Let’s call this person “Harry.” (We usually redact names for anonymity’s sake.)

Jeff Ostrowski · November 9, 2024

Music List • (32nd Sund. Ordinary Time)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

Jeff Ostrowski · November 8, 2024

Huge Discovery! • Rare Document Explains Why There’s a “Spoken” Version of the Propers

His statement is not only foolish, it approaches heresy!

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”

— Pope Benedict XVI (2012)

Recent Posts

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  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)

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