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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for November 2024

Adam Raha · November 28, 2024

Saint John of the Cross • Arrested & Imprisoned By His Own Carmelite Brothers

Many years ago, I was very calmly trying to de-escalate a disagreement I was having with someone close to me…

Jeff Ostrowski · November 26, 2024

“Entrance Chant” • Immaculate Conception

This Introit is in mode iii, which some consider the most beautiful.

Jeff Ostrowski · November 26, 2024

PDF Download • “Entrance Chant” for the Feast of the Immaculate Conception (8 December)

What is he talking about? Where can I go to hear these “aesthetically superior” interpretations? Where can they be found?

Jeff Ostrowski · November 25, 2024

How Sharp Are Your Eyes?

The feast of the Immaculate Conception contains a typo.

Corpus Christi Watershed · November 25, 2024

Bouyer on Liturgical Reform: “More intolerant and fussy than anything we’ve ever known.”

“Perhaps in no other area is there a greater distance between what the Council worked out and what we actually have.” —Professor Louis Bouyer

Jeff Ostrowski · November 22, 2024

“Music List” • (Christ the King Sunday)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

Jeff Ostrowski · November 20, 2024

PDF Download • “Entrance Chant” for this Coming Sunday (Christ the King) — 34th in Ordinary Time

Including three separate points on Dom Combe’s shameful and defamatory statement.

Jeff Ostrowski · November 19, 2024

“Entrance Chant” • Christ the King

The feast of Christ the King—a completely modern feast—was added in 1925.

Corrinne May · November 19, 2024

“Imagine You’re Out of Rehearsal Time but Desperately Need a Hymn for Advent…”

“I had such fun recording the vocals for these rehearsal videos.” —Corrinne May

Jeff Ostrowski · November 19, 2024

“Reader Feedback” • 19 November 2024

“I’m currently gathering materials for a newly ordained priest…”

Daniel Tucker · November 18, 2024

The Breviary in the Life of the Laity

Recently I have been enjoying looking through the inaugural (1927) edition of a 20th-century liturgical magazine called Orate Fratres. The July 1927 issue included an excellent article by a Chicago laywoman named Ellen Gates Starr entitled “The Delights of the Breviary: From the Point of View of a Lay Woman.” As we in the 21st century […]

Jeff Ostrowski · November 18, 2024

High Resolution Scan • “Missale Romanum” (1857)

This rare missal from 1857 contains some musical notes.

William J. Fritz · November 16, 2024

Principles vs Preferences

I ran into this idea recently…

Jeff Ostrowski · November 16, 2024

“Music List” • (33rd Sund. Ordinary Time)

Readers have expressed interest in perusing the “music list” I’ve prepared for this coming Sunday.

Jeff Ostrowski · November 15, 2024

Lectionary Errors

Why even mention such a thing? Everybody makes mistakes, right?

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

They were not ashamed to lay their hands on Sedulius, on Prudentius, on St. Ambrose himself. Only in one or two cases does some sense of shame seem to have stopped their nefarious work. They left “Ave maris stella,” “Jam lucis orto sidere,” and St. Thomas Aquinas’s hymns alone (they would have made pretty work of “Sacris solemniis”). In 1629 their mangled remnants were published.

— Rev’d Adrian Knottesford Fortescue (25 March 1916)

Recent Posts

  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)
  • PDF Download • “Entrance Chant” for the Fifth Sunday of Easter
  • “Sanctus XVIII” • Peculiar-Yet-Haunting Accompaniment (Sent To Us)
  • Chants That Crowds Roar With Burning Hearts

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