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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Entrance Chant in English” (29th Sunday in Ordinary Time)

Jeff Ostrowski · October 15, 2024

VER THE LAST FEW weeks, I’ve been attempting to recover from a nasty cold. Trying to get some rest yesterday, I stumbled upon excerpts from a 1971 movie: FIDDLER ON THE ROOF. I grew up in a family of five children, the oldest four of which were boys. I remember how my parents showed us this film when we were growing up—and we hated it. Our parents most likely made us watch it because it’s become American culture, especially its songs. Watching again after all these years, I’ve come to realize that parts of this film are quite beautiful. I’m really glad my parents made us watch it, even though we didn’t appreciate it at that time.1

One Of My Best • I remember arguing with Father Valentine Young regarding plainsong accompaniment on the pipe organ. At that time, I felt the only “real” Gregorian Chant was sung a cappella, but Father Valentine insisted that accompanied plainsong was also beautiful. Just as I’ve come to appreciate the beauty of certain films—which I did not as a youngster—I’ve come to realize Father Valentine was correct. Below you can download my attempt to compose an organ accompaniment for this Sunday’s ENTRANCE CHANT. In my personal opinion, this is one of my best harmonizations:

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Here’s the direct URL link.

The Year’s End • As the liturgical year comes to a close, we notice how many ENTRANCE CHANTS are in Mode 3 or Mode 4. Those modes have a “dark” or “haunting” feeling. Traditionally, the end of the liturgical year focused on death and judgment. I can’t help but wonder if the church is reminding us of this by using Mode 3 and Mode 4.

Renewal of Challenge • In many recent articles, I’ve been recommending the Brébeuf Catholic Hymnal. I believe this book is indispensable for any serious Catholic choirmaster. (I certainly couldn’t run my choral program without it.) I don’t use the “P-word” word lightly, but I’m comfortable calling the BRÉBEUF HYMNAL peerless. Indeed, one of the main authors for the Church Music Association of America weblog declared (6/10/2022) that the BRÉBEUF HYMNAL “has no parallel and not even any close competitor.” For years, I’ve been searching for a qualified partner willing to debate this assertion over zoom. Today—15 October 2024—I respectfully renew my challenge. Our website garners millions of hits, but so far nobody has accepted my challenge.

1 I haven’t decided whether I’ll show the film to my own children, because certain parts promote immorality. On the other hand, sometimes Catholics have to “tolerate” bad things in films. For instance, my favorite movie (“A MAN FOR ALL SEASONS” with Paul Scofield) takes the Lord’s name in vain. When viewing Hollywood movies, we “tolerate” such things—but we do not approve them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Chaumonot Entrance Chant Collection, Fiddler on the Roof Film Last Updated: October 15, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Nothing should be allowed that is unworthy of divine worship, nothing that is obviously profane or unfit to express the inner, sacred power of prayer. Nothing odd or unusual is allowable, since such things, far from fostering devotion in the praying community, rather shock and upset it—and impede the proper and rightful cultivation of a devotion faithful to tradition.

— Pope Paul VI • 10/13/1966

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