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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Entrance Chant in English” for the 28th Sunday in Ordinary Time (Year B)

Jeff Ostrowski · October 10, 2024

HE CHRISTIAN—unlike the secular media—does not regard death as “the ultimate evil.” Each of us must die, and to die well is the most important thing we can do. Indeed, dying in the state of grace is the only thing that matters. Faithful Catholics revere SPIRITUAL GIANTS like Saint John Mary Vianney and Saint Isaac Jogues, who performed heavy penances every moment of their lives. The saints (in a certain sense) yearned for death—for a variety of reasons. Death for them meant the end of heavy penances. Death for them meant the beginning of eternal bliss, the beginning of the BEATIFIC VISION. Here’s a brief excerpt from the life of Saint John de Brébeuf:

In addition to the spiritual exercises prescribed by the Society, Father Brébeuf performed many other devotions and penances, and was careful to do so in as great privacy as possible. “To the continual sufferings,” wrote his spiritual director, “which are inseparable from the duties which he had in the missions, on the journeys, in whatever place he was—and to those which charity caused him to embrace; often above his strength, although below his courage—he added many voluntary mortifications … and after all these, his heart could not be satiated with sufferings, and he believed that he had never endured aught.”

My Colleagues • Here at Corpus Christi Watershed, we realize how weak and sinful we are. We realize our penances are pathetic compared to what the saints did. Each day, we strive to “call to mind” or “remember” or “embrace” the reality that we’ll be held accountable before God for every second of our life, every breathe we took, every beat of our heart. Because of this, we try to avoid blogging about church scandals—even though scandalmongering is a superb way to amass ‘clicks’ and web hits. Instead, we try to offer items that are positive. The following is an example of something “positive” we try to offer the Church. It’s the ENTRANCE CHANT for this coming Sunday (13-OCT-2024) in English.

*  PDF Download • Singer’s Score (Treble Clef)
*  PDF Download • ORGAN ACCOMPANIMENT (2 Pages)

Here’s the direct URL link.

Renewal of Challenge • In many recent articles, I’ve been recommending the Brébeuf Catholic Hymnal. I believe this book is indispensable for any serious Catholic choirmaster. (I certainly couldn’t run my choral program without it.) I don’t use the “P-word” word lightly, but I’m comfortable calling the BRÉBEUF HYMNAL peerless. Indeed, one of the main authors for the Church Music Association of America weblog declared (6/10/2022) that the BRÉBEUF HYMNAL “has no parallel and not even any close competitor.” For years, I’ve been searching for a qualified partner willing to debate this assertion over zoom. Today—10 October 2024—I respectfully renew my challenge. Our website garners millions of hits, but so far nobody has accepted my challenge.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Chaumonot Entrance Chant Collection Last Updated: October 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

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