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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Sanctus” (Roman Missal, 3rd Ed.) in English, Latin, Spanish — Organ Accomp.

Jeff Ostrowski · August 2, 2024

AINT JOHN VIANNEY, as a young man, was drafted to fight with Napoleon’s army. Believe it or not, he became a fugitive (i.e. “deserter” or “draft dodger”) and for fourteen months hid in a farmhouse. When it comes to young Vianney dodging the draft, there were extenuating circumstances. To explain the full situation would take too long, but part of it had to do with the fact that he shouldn’t have been drafted in the first place since he was a seminarian. The simple fact of the matter is, the way things worked out in the real world made him a fugitive.

(1 of 2) The Sanctus • After the Second Vatican Council, a falsehood was spread claiming that it was forbidden to have the choir alone sing the SANCTUS. As a matter of fact, that was a lie. However, the way things worked out in the real world make debating the point rather a waste of time. Our situation—whether we like it or not—is that most priests believe the choral SANCTUS is prohibited. There’s little anyone can do to fix this. (If you believe differently, please let me know.)

(2 of 2) The Sanctus • When it comes to the Ordinary Form, the congregation normally joins in singing the SANCTUS. Therefore, you might want to download three PDF files I composed this morning:

*  PDF Download • SANCTUS (English, Latin, & Spanish)
—Spanish score was corrected on 4 August 2024

What They Did To Us • My harmonizations are nothing special, but they help me stay organized for the various Masses at my parish. You will see that the “full scale embrace” of the vernacular (in spite of what the Second Vatican Council explicitly mandated) made the church musician’s job 100 billion times more complicated … because each composition has to be placed into each vernacular language, and currently more than 7,100 languages are spoken throughout the world.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: August 4, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The Night Office—Nocturns or Matins—except for Holy Week, Easter Octave, and Christmas, has never appeared in the Vatican edition. The larger part of the mediaeval repertory for the Office thus remains still unpublished in the Vatican edition, and is likely to remain so, for the obvious reason that almost no cathedral chapters or monastic choirs sing the Night Office regularly today.”

— John Merle Boe (1968)

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