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Views from the Choir Loft

PDF Download • “Funeral Music List” (17 Pages)

Jeff Ostrowski · July 3, 2024

OME PEOPLE COMPLAIN when they get a bill from a specialist such as a doctor, surgeon, or lawyer. I don’t disagree that some professionals charge an immoral amount of money. At the same time, it’s important to remember one is “paying for expertise” … that is to say, one is compensating the expert’s training, his careful (not distracted) attention, and so forth. So what about the conscientious choirmaster? Whether we like it or not, musicians at Mass do perform. (That is to say, what we do undeniably involves a type of performance.) As a result, what we do involves stress. Performances are usually stressful.1

My New Job • Two days ago, I started a new job in Michigan. I’m the music director for a wonderful Catholic Church (Ordinary Form with an occasional Extraordinary Form). I already have two (2) funerals this week! Needless to say, I needed to produce a musical program—and I tried hard to “build upon” what they’ve been doing here before I arrived. (I’m sure I will make modifications as time goes on.) Although I do not claim it’s perfect, here’s the musical program I put together:

*  PDF Download • CATHOLIC FUNERAL LIST (Music)
—This was used for Jeff’s first funeral in Michigan.

Assaults On Jeff • In the past, I’ve suggested that (someday) modifications will be made to the Ordinary Form. That’s because the post-conciliar reformers weren’t faithful to the explicit mandates of the Second Vatican Council. I have also suggested the REQUIEM MASS [Ordinary Form] in particular needs reform. For making this suggestion, I have been publicly slandered by some Catholics—even by Catholic priests! However, one of the principal reformers (viz. Professor Louis Bouyer) and Pope Saint Paul VI agree with me. So I suppose I’m in good company!

1 Stress can come when we are experiencing illness, when the pipe organ breaks down, when we are forced to work with musicians who are “difficult”—and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Louis Bouyer Oratorian Priest, Order of Christian Funerals Last Updated: July 3, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Obey, then, these prescriptions sincerely and calmly. [viz. clerics must pray their office in Latin.] It is not an excessive love of old ways that prompts them.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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