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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Funeral Music List” (17 Pages)

Jeff Ostrowski · July 3, 2024

OME PEOPLE COMPLAIN when they get a bill from a specialist such as a doctor, surgeon, or lawyer. I don’t disagree that some professionals charge an immoral amount of money. At the same time, it’s important to remember one is “paying for expertise” … that is to say, one is compensating the expert’s training, his careful (not distracted) attention, and so forth. So what about the conscientious choirmaster? Whether we like it or not, musicians at Mass do perform. (That is to say, what we do undeniably involves a type of performance.) As a result, what we do involves stress. Performances are usually stressful.1

My New Job • Two days ago, I started a new job in Michigan. I’m the music director for a wonderful Catholic Church (Ordinary Form with an occasional Extraordinary Form). I already have two (2) funerals this week! Needless to say, I needed to produce a musical program—and I tried hard to “build upon” what they’ve been doing here before I arrived. (I’m sure I will make modifications as time goes on.) Although I do not claim it’s perfect, here’s the musical program I put together:

*  PDF Download • CATHOLIC FUNERAL LIST (Music)
—This was used for Jeff’s first funeral in Michigan.

Assaults On Jeff • In the past, I’ve suggested that (someday) modifications will be made to the Ordinary Form. That’s because the post-conciliar reformers weren’t faithful to the explicit mandates of the Second Vatican Council. I have also suggested the REQUIEM MASS [Ordinary Form] in particular needs reform. For making this suggestion, I have been publicly slandered by some Catholics—even by Catholic priests! However, one of the principal reformers (viz. Professor Louis Bouyer) and Pope Saint Paul VI agree with me. So I suppose I’m in good company!

1 Stress can come when we are experiencing illness, when the pipe organ breaks down, when we are forced to work with musicians who are “difficult”—and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Louis Bouyer Oratorian Priest, Order of Christian Funerals Last Updated: July 3, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski
    Prex • Particularly Powerful
    The Third Edition of the SAINT EDMUND CAMPION MISSAL contains a Latin-English translation for the ‘old’ Holy Week published by Monsignor Ronald Knox in 1950. His version is utterly splendid, and it’s astonishing it was totally forgotten for 70+ years. I find his translation of a prayer from Palm Sunday (Deus qui dispérsa cóngregas) particularly powerful: “O God, who dost mend what is shattered, and what thou hast mended, ever dost preserve, thou didst bless the chance comers who met Jesus with branches in their hands. Bless these branches too, of palm or olive, which we take up obediently in honour of thy name; rest they where they will, let them carry thy blessing to all who dwell there. All harm thence banish, and let thy power defend us, in proof that thy Son, Jesus Christ, has redeemed us…”
    —Jeff Ostrowski
    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski
    PDF Download • “Side-By-Side Comparison”
    Pope Urban VIII modified almost all the Church’s ancient hymns in 1632AD. The team responsible for creating the Brébeuf Catholic Hymnal spent years comparing the different versions of each hymn: “Urbanite” vs. “pre-Urbanite.” When it comes to the special hymn for the upcoming feast (9 November)—URBS BEATA JERUSALEM—Dr. Adrian Fortescue pointed out that “the people who changed it in the 17th century did not even keep its metre; so the later version cannot be sung to the old, exceedingly beautiful tune.” Monsignor Hugh Thomas Henry (d. 1946), a professor of Gregorian Chant at Saint Charles Borromeo Seminary (Overbrook, Philadelphia), wrote: “Of this hymn in particular some think that, whereas it did not suffer as much as some others, yet it lost much of its beauty in the revision; others declare that it was admirably transformed without unduly modifying the sense.” You can use this side-by-side comparison chart to compare both versions. When it comes to its meaning, there’s little significant difference between the two versions: e.g. “name of Christ” vs. “love of Christ.”
    —Jeff Ostrowski

Random Quote

The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (13 December 1564)

Recent Posts

  • Kids’ Choir Sings Thomas Aquinas
  • “Fulfilled!” • Bride’s Musical Request
  • Incredible Message of Hope from Michael Olbash
  • Prex • Particularly Powerful
  • My choir is devoid of this generation (And it’s a healthy sign)

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