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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Funeral Music List” (17 Pages)

Jeff Ostrowski · July 3, 2024

OME PEOPLE COMPLAIN when they get a bill from a specialist such as a doctor, surgeon, or lawyer. I don’t disagree that some professionals charge an immoral amount of money. At the same time, it’s important to remember one is “paying for expertise” … that is to say, one is compensating the expert’s training, his careful (not distracted) attention, and so forth. So what about the conscientious choirmaster? Whether we like it or not, musicians at Mass do perform. (That is to say, what we do undeniably involves a type of performance.) As a result, what we do involves stress. Performances are usually stressful.1

My New Job • Two days ago, I started a new job in Michigan. I’m the music director for a wonderful Catholic Church (Ordinary Form with an occasional Extraordinary Form). I already have two (2) funerals this week! Needless to say, I needed to produce a musical program—and I tried hard to “build upon” what they’ve been doing here before I arrived. (I’m sure I will make modifications as time goes on.) Although I do not claim it’s perfect, here’s the musical program I put together:

*  PDF Download • CATHOLIC FUNERAL LIST (Music)
—This was used for Jeff’s first funeral in Michigan.

Assaults On Jeff • In the past, I’ve suggested that (someday) modifications will be made to the Ordinary Form. That’s because the post-conciliar reformers weren’t faithful to the explicit mandates of the Second Vatican Council. I have also suggested the REQUIEM MASS [Ordinary Form] in particular needs reform. For making this suggestion, I have been publicly slandered by some Catholics—even by Catholic priests! However, one of the principal reformers (viz. Professor Louis Bouyer) and Pope Saint Paul VI agree with me. So I suppose I’m in good company!

1 Stress can come when we are experiencing illness, when the pipe organ breaks down, when we are forced to work with musicians who are “difficult”—and so forth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Louis Bouyer Oratorian Priest, Order of Christian Funerals Last Updated: July 3, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

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