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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Spanish Responsorial Psalm” (19th Sunday in Ordinary Time, Year B)

Jeff Ostrowski · April 6, 2024

HE STORY IS TOLD of an old man on a beach littered with thousands of starfish (washed ashore by the tide). He came upon a young boy who was painstakingly placing each starfish—one by one—back into the ocean. Asked what he was doing, the boy replied: “I’m saving these starfish, Sir.” Chuckling, the old man mocked him: “There are thousands of starfish out here, but only one of you. What possible difference can you make?” The boy gently tossed another starfish into the water. Then he gazed into the old man’s eyes and said: “I made a difference to that one!”

Spanish Responsorial Psalms • Almost half a decade ago, I featured the CHAUMONOT COMPOSERS GROUP on our blog. In a moment, I’ll have more to say about that—but first, feel free to download one of their recent offerings (below). I created a rehearsal video. Please ignore my terrible Spanish accent. Instead, listen to the music:

*  PDF Download • 19th Sunday in Ordinary Time (Year B)
—Spanish liturgical music by Chaumonot Composers Group • Posted with permission.

Here’s the direct URL link.

Chaumonot Composers (1 of 2) • One of the founders of the Chaumonot Composers Group is a former student of mine. Not long after I featured some of their offerings back in 2020, she asked whether I’d be willing to act—in a very informal way—as their mentor. If my teachers from the conservatory knew about this, I suspect they’d find it amusing that I have become a PROFESSOR OF COMPOSITION, but such is life.

Chaumonot Composers (2 of 2) • The reality is, I feel inadequate as a composition teacher. Nevertheless, they seem to deeply appreciate the “pointers” and “counsel” and “guidance” I’ve been providing. Similar to the story about the starfish, I’m happy to make a contribution in my own small way. Over the next few months, it’s my intention to provide more exposure to the CHAUMONOT COMPOSERS GROUP, which has great potential.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Free Spanish Responsorial Psalms, Psalmi Responsorii Cum Suis Responsis Last Updated: September 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“For any member of laity, who is at least somewhat literate, the ignorance of the Latin tongue, which we can call a truly Catholic language, indicates a certain lack of affection towards the Church.”

— Pope Pius IX

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