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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Spanish Responsorial Psalm” (19th Sunday in Ordinary Time, Year B)

Jeff Ostrowski · April 6, 2024

HE STORY IS TOLD of an old man on a beach littered with thousands of starfish (washed ashore by the tide). He came upon a young boy who was painstakingly placing each starfish—one by one—back into the ocean. Asked what he was doing, the boy replied: “I’m saving these starfish, Sir.” Chuckling, the old man mocked him: “There are thousands of starfish out here, but only one of you. What possible difference can you make?” The boy gently tossed another starfish into the water. Then he gazed into the old man’s eyes and said: “I made a difference to that one!”

Spanish Responsorial Psalms • Almost half a decade ago, I featured the CHAUMONOT COMPOSERS GROUP on our blog. In a moment, I’ll have more to say about that—but first, feel free to download one of their recent offerings (below). I created a rehearsal video. Please ignore my terrible Spanish accent. Instead, listen to the music:

*  PDF Download • 19th Sunday in Ordinary Time (Year B)
—Spanish liturgical music by Chaumonot Composers Group • Posted with permission.

Here’s the direct URL link.

Chaumonot Composers (1 of 2) • One of the founders of the Chaumonot Composers Group is a former student of mine. Not long after I featured some of their offerings back in 2020, she asked whether I’d be willing to act—in a very informal way—as their mentor. If my teachers from the conservatory knew about this, I suspect they’d find it amusing that I have become a PROFESSOR OF COMPOSITION, but such is life.

Chaumonot Composers (2 of 2) • The reality is, I feel inadequate as a composition teacher. Nevertheless, they seem to deeply appreciate the “pointers” and “counsel” and “guidance” I’ve been providing. Similar to the story about the starfish, I’m happy to make a contribution in my own small way. Over the next few months, it’s my intention to provide more exposure to the CHAUMONOT COMPOSERS GROUP, which has great potential.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Free Spanish Responsorial Psalms, Psalmi Responsorii Cum Suis Responsis Last Updated: September 19, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.”

— Fr. Francis Brunner (1953)

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