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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Jeff’s Most Popular Choral Arrangement For Easter” (By Far)

Jeff Ostrowski · April 1, 2024

HEN I EMBED a PDF score directly into my blog articles, the file gets downloaded like crazy. The problem is, doing that makes it easy for readers to overlook the rehearsal videos for each individual voice (which require countless hours to produce). I hope nobody goes to LALEMANT POLYPHONY and scrolls through all the pieces listed there. That would take forever. It’s much better to use the search function, which immediately ‘zaps’ you to the correct piece. Those using Apple computers press “COMMAND + F” to use the search function. Those using a PC must press “CONTROL + F” to access the search function.*

Jeff’s Most Popular Arrangement • In 2001, I adapted a LEMMENSINSTITUUT version of the famous Easter Alleluia for SATB choir. The score has been downloaded more than 6,000 times and sung all over the globe. Singers tend to go “berserk” over this piece—they just can’t get enough of it! And if I don’t let them sing it, they become irked with me. This year, my 100% volunteer choir sang this arrangement during the OFFERTORY on Easter Sunday. Here’s an excerpt:

Free rehearsal videos for each individual voice await you at #5909.

Glum Reality: Most readers won’t click on the individual voice parts, and that makes me sad. When we post a “scandalous” liturgical video, we get 40,000 views. I wish we could get as many views for the rehearsal videos! Also, if readers don’t follow that link, they’ll miss out on downloading the PDF score.

Vaux Passional • A splendid picture of our Resurrected Lord is shown in the Vaux Passional. In the Gospel of Mark, chapter 16, we read: “When the sabbath was over, Mary Magdalen, and Mary the mother of James, and Salome had bought spices, to come and anoint Jesus. So they came to the tomb very early on the day after the sabbath, at sunrise. And they began to question among themselves, Who is to roll the stone away for us from the door of the tomb?” You can see the three women in this wonderful drawing circa 1482AD:

Addendum • For the record, I don’t care for the way that artist represented the beard on our Savior.

* If somebody is using an iPhone, the search function is also available. Simply start typing the word—that is, the word you wish to search for—into the place where the URL is. Then, scroll down to where it says “On this page”… It was many years before I knew this function was available on the iPhone!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Easter Alleluia Van Nuffel Ostrowski, Harmonized Gregorian Chant, O Filii Et Filiae Last Updated: April 1, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Many declare that Vatican Council II brought about a true springtime in the Church. Nevertheless, a growing number of Church leaders see this “springtime” as a rejection, a renunciation of her centuries-old heritage, or even as a radical questioning of her past and Tradition. Political Europe is rebuked for abandoning or denying its Christian roots; but the first to have abandoned her Christian roots and past is indisputably the post-conciliar Catholic Church.

— ‘Pope Francis’ Chief Liturgist (31 March 2017)’

Recent Posts

  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?

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