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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eucharistic Hymn by the Archbishop of Canterbury

Jeff Ostrowski · September 13, 2023

ONEST. Be honest when I ask you this question: “How many of your parishioners could recite from memory even a simple prayer like Tantum Ergo in English?” Can you? Here is my attempt (without looking at any book): “Bowing low, therefore, let us adore so great a Sacrament. The old law yields to the new rite. And if our human understanding is deficient, a lively faith will make up for what’s lacking.” How did I do? I hope I was basically correct. You can compare my attempt to this literal translation by Monsignor Charles E. Spence.1

Combating Heresy • Floating around even today is the false notion that we should not adore JESUS CHRIST at Mass. As a matter of fact, adoration is hugely important at Mass. From what I can tell, the heresy began in the post-conciliar years. For example, the AMERICAN CATHOLIC HYMNBOOK (1992) included injunctions such as (direct quotations):

(1) “Hymns directed to the Trinity as such or to each person successively should not be used”;
(2) “The Mass is not primarily a time for silence and adoration of Christ”;
(3) “Holy Father is a good Communion hymn precisely because it is not in adoration of Christ.”

The editors brag that their “translation” of ADÓRO TE DEVÓTE completely changes the meaning of the original. Indeed, on page 655, the editors say Tantum Ergo should never (!) be used at Mass! In the post-conciliar years, some also emphasized the “banquet” aspect of Mass while downplaying (or even denying) the reality that Mass is primarily a sacrifice.

Archbishop of Canterbury • Before England fell away in 1534AD, it had a vigorous and vibrant intellectual life which supported the Holy Catholic Faith. John Peckham (d. 1292) was a Franciscan friar and Archbishop of Canterbury starting in 1279AD. He was such a powerful philosopher and theologian that he actually beat Saint Thomas Aquinas in a Paris debate (at least according to one priest I spoke to). The Brébeuf Catholic Hymnal provided—for the first time in history—a literal English translation of Archbishop Peckham’s magnificent and lengthy hymn to the Holy Eucharist. The Brébeuf Hymnal also provides numerous musical settings for it, as well as various “singable” translations by Catholic priests and bishops. Here is a short excerpt of what is without question one of the Church’s mightiest treatises on the SANCTISSIMUM:

*  PDF Download • EXCERPT (Archbishop Peckham’s Eucharistic Hymn)
—The entire hymn is translated in The Saint Jean de Brébeuf Hymnal.

Last Sunday, our volunteer choir attempted the “singable” translation created by Monsignor Ronald Knox:

To access this hymn’s media in the Brébeuf Portal, click here.

Theodore Marier • The tune is wonderful, and was used at least three times by Dr. Theodore Marier in his hymnal: Pages 310, 401, and 217. Our choir will eventually sing that piece in Latin, but it’s still needs a little work. We use that same tune when we sing the “Ave Maris Stella” in English:

To access this hymn’s media in the Brébeuf Portal, click here.

Indeed, the Brébeuf Hymnal includes several other texts with that same melody, as you can discover by doing a search on the HYMN PORTAL for “Ave Virgo Virginum.”

Still Learning • Another hymn we’re learning is REGENT SQUARE. At present, we’re singing that melody in unison with organ accompaniment (see below) but we plan on learning the SATB harmonies found in the Brébeuf Hymnal, which are particularly resplendent.

To access this hymn’s media in the Brébeuf Portal, click here.

Music Is Crucial • To be completely honest, I don’t know whether I could have successfully completed the “challenge” presented at the beginning of this article were it not for music. Singing things over and over again helps me remember and understand them. The whole idea behind the Brébeuf Hymnal is to imitate Father John Brébeuf and his companions, who cleverly placed the various truths of the Faith into songs and rhymes (in the languages of the Native Americans). Anyone who has read about these holy Jesuit missionaries realizes how much they suffered in order to learn the native tongues. The Huron language was particularly difficult, because the sounds emanated from one’s stomach. For someone like Father Noël Chabanel, it was a particular cross not to be able to learn that language (without great difficulty) because he had been a college professor in France whose specialty was rhetoric and poetry.

1 A splendid literal translation into English can also be found on page 347 of the Brébeuf Catholic Hymnal. Indeed, the entire prayer (“Pange Lingua”) by Saint Thomas Aquinas can we found there, as well as numerous musical versions and excellent “singable” (metrical and rhymed) translations by Catholic priests and Bishops.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Common Hymn Melodies, Monsignor Charles E Spence, Monsignor Ronald Knox Traditional Mass, Tantum Ergo Sacramentum Last Updated: September 13, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

At High Mass the Celebrant is not allowed to proceed with the Offertory while the “Credo” is being sung. Likewise he should not proceed with the Consecration until the singing of the “Sanctus” is completed.

— Father Carlo Rossini (1939)

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