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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eucharistic Hymn by the Archbishop of Canterbury

Jeff Ostrowski · September 13, 2023

ONEST. Be honest when I ask you this question: “How many of your parishioners could recite from memory even a simple prayer like Tantum Ergo in English?” Can you? Here is my attempt (without looking at any book): “Bowing low, therefore, let us adore so great a Sacrament. The old law yields to the new rite. And if our human understanding is deficient, a lively faith will make up for what’s lacking.” How did I do? I hope I was basically correct. You can compare my attempt to this literal translation by Monsignor Charles E. Spence.1

Combating Heresy • Floating around even today is the false notion that we should not adore JESUS CHRIST at Mass. As a matter of fact, adoration is hugely important at Mass. From what I can tell, the heresy began in the post-conciliar years. For example, the AMERICAN CATHOLIC HYMNBOOK (1992) included injunctions such as (direct quotations):

(1) “Hymns directed to the Trinity as such or to each person successively should not be used”;
(2) “The Mass is not primarily a time for silence and adoration of Christ”;
(3) “Holy Father is a good Communion hymn precisely because it is not in adoration of Christ.”

The editors brag that their “translation” of ADÓRO TE DEVÓTE completely changes the meaning of the original. Indeed, on page 655, the editors say Tantum Ergo should never (!) be used at Mass! In the post-conciliar years, some also emphasized the “banquet” aspect of Mass while downplaying (or even denying) the reality that Mass is primarily a sacrifice.

Archbishop of Canterbury • Before England fell away in 1534AD, it had a vigorous and vibrant intellectual life which supported the Holy Catholic Faith. John Peckham (d. 1292) was a Franciscan friar and Archbishop of Canterbury starting in 1279AD. He was such a powerful philosopher and theologian that he actually beat Saint Thomas Aquinas in a Paris debate (at least according to one priest I spoke to). The Brébeuf Catholic Hymnal provided—for the first time in history—a literal English translation of Archbishop Peckham’s magnificent and lengthy hymn to the Holy Eucharist. The Brébeuf Hymnal also provides numerous musical settings for it, as well as various “singable” translations by Catholic priests and bishops. Here is a short excerpt of what is without question one of the Church’s mightiest treatises on the SANCTISSIMUM:

*  PDF Download • EXCERPT (Archbishop Peckham’s Eucharistic Hymn)
—The entire hymn is translated in The Saint Jean de Brébeuf Hymnal.

Last Sunday, our volunteer choir attempted the “singable” translation created by Monsignor Ronald Knox:

To access this hymn’s media in the Brébeuf Portal, click here.

Theodore Marier • The tune is wonderful, and was used at least three times by Dr. Theodore Marier in his hymnal: Pages 310, 401, and 217. Our choir will eventually sing that piece in Latin, but it’s still needs a little work. We use that same tune when we sing the “Ave Maris Stella” in English:

To access this hymn’s media in the Brébeuf Portal, click here.

Indeed, the Brébeuf Hymnal includes several other texts with that same melody, as you can discover by doing a search on the HYMN PORTAL for “Ave Virgo Virginum.”

Still Learning • Another hymn we’re learning is REGENT SQUARE. At present, we’re singing that melody in unison with organ accompaniment (see below) but we plan on learning the SATB harmonies found in the Brébeuf Hymnal, which are particularly resplendent.

To access this hymn’s media in the Brébeuf Portal, click here.

Music Is Crucial • To be completely honest, I don’t know whether I could have successfully completed the “challenge” presented at the beginning of this article were it not for music. Singing things over and over again helps me remember and understand them. The whole idea behind the Brébeuf Hymnal is to imitate Father John Brébeuf and his companions, who cleverly placed the various truths of the Faith into songs and rhymes (in the languages of the Native Americans). Anyone who has read about these holy Jesuit missionaries realizes how much they suffered in order to learn the native tongues. The Huron language was particularly difficult, because the sounds emanated from one’s stomach. For someone like Father Noël Chabanel, it was a particular cross not to be able to learn that language (without great difficulty) because he had been a college professor in France whose specialty was rhetoric and poetry.

1 A splendid literal translation into English can also be found on page 347 of the Brébeuf Catholic Hymnal. Indeed, the entire prayer (“Pange Lingua”) by Saint Thomas Aquinas can we found there, as well as numerous musical versions and excellent “singable” (metrical and rhymed) translations by Catholic priests and Bishops.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Common Hymn Melodies, Monsignor Charles E Spence, Monsignor Ronald Knox Traditional Mass, Tantum Ergo Sacramentum Last Updated: September 13, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

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