“Did One Man Single-Handedly Sabotage the Gregorian Restoration?” • (Part 1 of 2)
Including a scanned copy of a rare “Graduale” (Pustet, 1911) released a few minutes ago—for the first time in history!
Archives for August 2023
PDF Download • Saint Noël Chabanel Mass Setting (“Lamb of God”) for the Ordinary Form
Today, we release the congregational “Lamb of God” with SATB polyphonic extension.
PDF Download • Palestrina’s Most Famous Mass Simplified
“I find Anerio’s work here to be excellent, and I hope you do as well.” —Dr. Charles Weaver
Shameful Quote
Some feel the most irresponsible 1960s reformer was Fr. Godfrey Diekmann. The Second Vatican Council had solemnly declared: “In accordance with the centuries-old tradition of the Latin rite, the Latin language is to be retained by clerics in the divine office.” In spite of this clear directive, Diekmann (3 March 1964) wrote: “What young candidate […]
“Stations of the Cross” • By Fulton J. Sheen?
Bishop Brennan selected the version by Fulton J. Sheen. He began weeping (towards the final station) because of their beauty and poignancy.
Gregorian Offertory • “Exaltabo te Domine”
Eleventh Sunday after Pentecost, Seventeenth Sunday in Ordinary Time, Ash Wednesday
“Graduale Romanum” • Rare Edition from 1661 A. D.
Today we release an exceedingly rare 1661 edition of the Graduale Romanum, in high resolution and in full color!
PDF Booklet • 25 Pages!
As of a few minutes ago, you may go here to download the organ accompaniment booklet (25 pages) I created for the feast of the TRANSFIGURATION. Obviously, that feast will not take place for another year. Nevertheless, several techniques I used may be of interest to those who create liturgical booklets.
PDF Download • Professionally-Scanned “Missale Romanum” (1957) with American Feasts
Sometimes you win and sometimes you learn!
Should Every Child Be Accepted Into the Choir?
My assistant and I recently had the privilege while in England to have lunch with Dr. Ronny Krippner…
Are These “Evil” Priests? • (Not Joking)
The professor inserted himself into our conversation, saying: “You’re both being foolish…”
Summer Singers’ Repertoire!
I mentioned a 3-Voice Setting of the AGNUS DEI, based on a Canon by William Byrd (d. 1623) in the context of the “hairpin” technique, something I really will emphasize this coming season. The piece is for Soprano, Middle, and Baritone. (The “Middle” voice should ideally be a mixture of women and men.) Recently, we […]
“Choirmasters, Can I See You?”
The day Father Valentine bowed alongside me…
