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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for August 2023

Jeff Ostrowski · August 14, 2023

“Did One Man Single-Handedly Sabotage the Gregorian Restoration?” • (Part 1 of 2)

Including a scanned copy of a rare “Graduale” (Pustet, 1911) released a few minutes ago—for the first time in history!

Jeff Ostrowski · August 11, 2023

PDF Download • Saint Noël Chabanel Mass Setting (“Lamb of God”) for the Ordinary Form

Today, we release the congregational “Lamb of God” with SATB polyphonic extension.

Dr. Charles Weaver · August 9, 2023

PDF Download • Palestrina’s Most Famous Mass Simplified

“I find Anerio’s work here to be excellent, and I hope you do as well.” —Dr. Charles Weaver

Jeff Ostrowski · August 9, 2023

Shameful Quote

Some feel the most irresponsible 1960s reformer was Fr. Godfrey Diekmann. The Second Vatican Council had solemnly declared: “In accordance with the centuries-old tradition of the Latin rite, the Latin language is to be retained by clerics in the divine office.” In spite of this clear directive, Diekmann (3 March 1964) wrote: “What young candidate […]

Jeff Ostrowski · August 9, 2023

“Stations of the Cross” • By Fulton J. Sheen?

Bishop Brennan selected the version by Fulton J. Sheen. He began weeping (towards the final station) because of their beauty and poignancy.

Patrick Williams · August 8, 2023

Gregorian Offertory • “Exaltabo te Domine”

Eleventh Sunday after Pentecost, Seventeenth Sunday in Ordinary Time, Ash Wednesday

Matthew Frederes · August 8, 2023

“Graduale Romanum” • Rare Edition from 1661 A. D.

Today we release an exceedingly rare 1661 edition of the Graduale Romanum, in high resolution and in full color!

Jeff Ostrowski · August 7, 2023

PDF Booklet • 25 Pages!

As of a few minutes ago, you may go here to download the organ accompaniment booklet (25 pages) I created for the feast of the TRANSFIGURATION. Obviously, that feast will not take place for another year. Nevertheless, several techniques I used may be of interest to those who create liturgical booklets.

Jeff Ostrowski · August 7, 2023

PDF Download • Professionally-Scanned “Missale Romanum” (1957) with American Feasts

Sometimes you win and sometimes you learn!

Dr. Lucas Tappan · August 4, 2023

Should Every Child Be Accepted Into the Choir?

My assistant and I recently had the privilege while in England to have lunch with Dr. Ronny Krippner…

Jeff Ostrowski · August 2, 2023

Are These “Evil” Priests? • (Not Joking)

The professor inserted himself into our conversation, saying: “You’re both being foolish…”

Jeff Ostrowski · August 1, 2023

Summer Singers’ Repertoire!

I mentioned a 3-Voice Setting of the AGNUS DEI, based on a Canon by William Byrd (d. 1623) in the context of the “hairpin” technique, something I really will emphasize this coming season. The piece is for Soprano, Middle, and Baritone. (The “Middle” voice should ideally be a mixture of women and men.) Recently, we […]

Jeff Ostrowski · August 1, 2023

“Choirmasters, Can I See You?”

The day Father Valentine bowed alongside me…

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“As late as 1834, British society had many restrictions on any person not adhering to the Anglican church. For example, Roman Catholics could not attend a university, serve on a city council, be a member of Parliament, serve in the armed forces, or even serve on a jury.”

— Regarding the Church of Henry VIII

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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