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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Stations of the Cross” • By Fulton J. Sheen?

Jeff Ostrowski · August 9, 2023

ULTON J. SHEEN, while still a priest, wrote a wonderful set of STATIONS OF THE CROSS (granted Imprimatur on 2 April 1933 by Patrick Cardinal Hayes). A few years ago, when Bishop Joseph V. Brennan came to dedicate our stations, we gave him a Brébeuf Hymnal to read from. That book contains three versions of the STATIONS OF THE CROSS: one set by Saint Alphonsus Liguori, one set by Fulton J. Sheen, and one set by Cardinal Ratzinger. Bishop Brennan selected the version by Fulton J. Sheen. He began weeping (towards the final station) because of their beauty and poignancy.

Unfinished Project • I’m currently assisting Sophia Institute Press in a special project. A Catholic actress is creating twelve short videos explaining the Brébeuf Hymnal. The following is a “rough cut” (45 seconds long) which talks about the STATIONS OF THE CROSS:

Here’s the direct URL link.

Constructive Criticism? • If you have comments or suggestions, I’d love to hear them. You can reach me using the email address provided at the bottom of our editorial policy. I’m discovering that excessive items tend to “clutter” the film. At the Conservatory, our composition professors used to say: “A good composer understands the most crucial part of his pencil is the eraser.” In other words, a huge mistake made by rookie composers is saving (or trying to work in) everything they write. A good composer knows what to leave out. Regarding these short films, a musical track could easily be added underneath the words of the actress. Furthermore, tons of graphics could be added, as well as fancy titling—or even subtitles. However, that seems to clutter things up in an unpleasant way, almost like “gilding the lily.” The delivery by the actress (and her expressions) seems sufficient to me. On the other hand, I would like to hear your thoughts—but please present them to me in a gentle and nonabrasive manner. Thank you!

Such A Difference • I can’t express what a tremendous difference the Brébeuf Hymnal has made to our parish choral program. And yet, so many choirmasters still have no idea about the treasures waiting for them. I will continue to try to provide insight in this regard. I could not run my program without the Brébeuf Hymnal. By the way, I also find the contemporary settings by Kevin Allen to be indispensable, especially “Matri Divínæ Grátiæ” and the STOWE MISSAL COLLECTION.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Stations of the Cross Last Updated: August 9, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

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