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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hymn for the Season of Septuagesima? • Yes!

Jeff Ostrowski · February 11, 2023

ULTON J. SHEEN used to say: “If the Catholic Church were as holy as some wanted it to be, they themselves would be afraid to join because of their sins.” On a telephone call, Monsignor Robert Skeris reminded me that the men of the Church are often corrupt, but the institution itself remains sine ruga et macula (“without blemish or wrinkle”). Sometimes it takes centuries for the Church to ‘course correct’—and a good example would be the hymn corruptions introduced by Pope Urban VIII, which were not corrected until 330 years later. JANSENISM would be another example.

Special Hymn • In a moment, we will discuss the season of Septuagesima. Did you know there’s a special hymn for that season? Here it is:

M To access this hymn’s media in the Brébeuf Portal, click here.

Season of Septuagesima • I believe it was wrong for the post-conciliar reformers to eliminate the season of Septuagesima. Someday, this will be corrected. One of the most prominent post-conciliar reformers was Father Louis Bouyer (d. 2004), who was a close friend of Pope Saint Paul VI. (I’m told Paul VI wanted to make him a cardinal, but Bouyer refused.) Here is what Father Bouyer said about eliminating Septuagesima:

“I prefer to say nothing, or very little, about the new calendar, the handiwork of a trio of maniacs who suppressed—with no good reason—Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piddledy, all based on notions of their own devising! Because these three hotheads obstinately refused to change anything in their work and because the pope wanted to finish up quickly to avoid letting the chaos get out of hand, their project, however insane, was accepted!”

“Ordinary” Time? • Some people hate the term Ordinary Time (which translates “Tempus per annum”). Father Valentine Young, OFM, refused to use that term. He always called it: Through the Year. In the 1962 MISSALE ROMANUM, the time after Epiphany is called: “Tempus per annum ante Septuagesimam,” as you can see:

The 1962 Missal has the “Season of Septuagesima,” which reminds Catholics that Lent is coming:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Louis Bouyer Oratorian Priest, Ordinary Time, Rev Fr Valentine Young OFM, sine ruga et macula Last Updated: February 11, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

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