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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • 1909 “Modern Notation” Gradual (Extremely Rare) — 712 Pages

Jeff Ostrowski · January 25, 2023

HE TRUTH IS STRANGER than fiction. For example, it’s fascinating how JACKIE GLEASON couldn’t read a note of music, yet produced 100+ albums and still holds the record for the longest stay on the Billboard Top Ten Charts. Gleason’s first ten albums sold over a million copies each! Something else I find endlessly fascinating is how plainsong’s Melismatic Mora Vocis (which I have referenced so often) was completely forgotten for a century, due to the popularity of the rhythmic modifications Dom Mocquereau imposed on the official edition. It’s as if nobody was curious about the thousands of elongations added by Dom Mocquereau. Indeed, after one realizes what Dom Mocquereau did, it becomes impossible to “unsee” the bizarre way his additions were squeezed in, since the Vatican made it clear to Dom Mocquereau—by means of a letter dated 6 September 1906—that he wasn’t allowed to change any of the blank spaces.

No Condemnation • In spite of what some have claimed, I do not “condemn” those who follow the Mocquereau rhythm (as I did for more than 20 years). At the same time, we should understand what took place. In my opinion, we have no obligation to “conceal” or “suppress” the truth. For this reason, I have attempted to let people know why some choose to sing the Editio Vaticana the way it was intended to be sung by those who—at the behest of Pope Saint Pius X—created it.

Perfect Conformity • The 1909 SCHWANN EDITION is one of the most faithful books when it comes to the official rhythm. I’m tempted to say it is more faithful than any other book, but Father Mathias is also quite faithful, and so is the LEMMENSINSTITUUT faculty. Corpus Christi Watershed has paid to have this incredibly rare book professionally scanned:

*  PDF Download • 1909 GRADUALE Modern Notation (712 pages)
—40.4MB • Epitome E Graduali (Schwann) • Scanned professionally.

42970-Schwann-Modern-Notation-Epitome-E-Graduali-004
42970-Schwann-Modern-Notation-Epitome-E-Graduali-003
42970-Schwann-Modern-Notation-Epitome-E-Graduali-002
42970-Schwann-Modern-Notation-Epitome-E-Graduali-001

The technical title is Epitome E Graduali, because it’s not “complete” inasmuch as certain items (such as Graduals and Tracts) have been simplified. This book is also known as Römisches Gradualbuch. I can’t imagine how many hours of painstaking work were required to produce such a book.

Can You Help Us?

We Desperately Need Donations! • I believe so strongly in what we are doing, I’m not ashamed to beg. Obtaining these rare books (and having them professionally scanned) has required thousands of dollars. We have more books to release, but more are waiting to be scanned. When we scan them “in house” the quality suffers—although the file size is much larger (which is inconvenient for our readers). That’s why we prefer to have these books scanned professionally. The online library our organization has created is about 24x larger than the UCLA music library (in terms of liturgical books) … and you can access all the books completely free of charge!

Can you please make a donation right now?

*  Donate to Corpus Christi Watershed • Via CORNERSTONE

Thank you for your consideration, and God bless!

Some books we have recently obtained and scanned:

*  PDF Download • Weinmann Gradual on Five Lines! (692 pages)
*  PDF Download • Wagner’s “Kyriale Accompaniment” (138 pages)
*  PDF Download • 1908 Solesmes Graduale Romanum (1,077 pages)
*  PDF Download • 1920 Plainsong Booklet on 5 Lines! (326 pages)
*  PDF Download • 1908 Schwann Graduale Romanum (1,129 pages)
*  PDF Download • 1942 Nova Organi Harmonia Ad Graduale (343 pages)
*  PDF Download • Msgr. Nekes “Kyriale Organ Accompaniment” (175 pages)
*  PDF Download • 1905 Lecoffre KYRIALE (95 pages)
*  PDF Download • 1913 “VESPERALE” by Schwann (954 pages)
*  PDF Download • Springer’s Gradual in Modern Notation (870 pages)
*  PDF Download • 1915 “Gregorian Vesperale” on Five Lines! (651 Pages)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Abbot Joseph Pothier of Solesmes, Editio Vaticana, Lalande Online Library, melismatic morae vocis, Mocquereau Rhythmic Signs Last Updated: February 23, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Another cathedral functionary, a compañero named (coincidentally!) Francisco Guerrero, departs for the New World sometime before June 8, on which date the benefice held by him comes up for a split among three former choirboys whose voices have changed.”

— Chapter Resolution: 14 February 1562

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