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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Organ Accompaniment Booklet” (25 pages) — Vespers, 2nd Sunday after Epiphany

Jeff Ostrowski · January 15, 2023

HEN THE CIVIL WAR began, Ulysses S. Grant was at his lowest ebb, having failed miserably at everything he’d ever attempted in life. He was a depressed drunkard who had been thrown out of the military, and—having ruined every business venture he ever touched—was working for his father selling ladies’ hats in Galena, Illinois. Just a few years later, however, Grant would accept the surrender of the legendary Robert E. Lee at Appomattox. The lesson? Things can turn around very quickly in life. I may be crazy, but I feel that soon the world of sacred music will come roaring back! I feel that Catholics are sick of irreverent, goofy, secular music at Mass. The only thing stopping such a revolution—in my humble opinion—is that we are still divided, “tending our own gardens.” But that won’t last much longer. The internet is putting good people in touch with one another.

Accompaniment Booklet • I prepared this ORGAN ACCOMPANIMENT BOOKLET (25 pages) for tomorrow’s Vespers (Second Sunday after Epiphany). I thought you might like to see it. By releasing things like this, we hope to provide other church musicians with inspiration and ideas:

*  PDF Download • ORGAN ACCOMPANIMENT (25 Pages)
—Vespers: “2nd Sunday after Epiphany” • Organ Accompaniment Booklet.

PDF Download • “Organ Accompaniment Booklet” (25 pages) — Vespers, 2nd Sunday after Epiphany

Tempus Epiphaniæ • Speaking of EPIPHANIA DOMINI, Ms. Eleanor Parker has posted an English “Book of Hours” (circa 1350AD) with exquisite illustrations depicting the entire narrative of the Magi and King Herod, in a series of pictures running across the bottom:

We begin with one king:

…plus two kings:

…equals three kings:

The Magi encounter the shepherds, who point the way to Bethlehem:

When we turn the page, they are arriving at Herod’s castle:

They tell Herod the purpose of their quest:

Troubled by what the Magi have told him, Herod sends letters gathering the “chief priests and scribes of the people”:

And they point out to him the prophecies which tell that Christ is to be born in Bethlehem:

Meanwhile, the Magi find the child and present their gifts, but are quickly warned by an angel—while sleeping still wearing their crowns!—to flee:

“They departed into their own country by another way,” and that’s the last we see of them. But Joseph is also warned by an angel:

…and takes his family to Egypt:

Learning that the Magi set sail from Tarsus, Herod orders the ships there to be burnt:

Having failed in his pursuit, he sends out his knights to kill children under two years old:

Katérva matrum pérsonat
conlísa deflens pígnora,
quorum tyránnus mília
Christo sacrávit víctimam.

And we see the massacre of the children, their mothers struggling against the soldiers:

This story is told on the very first pages of the Brébeuf hymnal—in Latin with a literal English translation—by the ABECEDARIUS, which is a very important Alphabetical Hymn by Caelius Sedulius, a Christian Poet who lived in the 5th century.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 2nd Sunday after Epiphany, Vespers, Vespers Organist Scores Last Updated: January 15, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— Monsignor Jules Van Nuffel (circa 1940)

Recent Posts

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  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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