• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • “Organ Accompaniment Booklet” (25 pages) — Vespers, 2nd Sunday after Epiphany

Jeff Ostrowski · January 15, 2023

HEN THE CIVIL WAR began, Ulysses S. Grant was at his lowest ebb, having failed miserably at everything he’d ever attempted in life. He was a depressed drunkard who had been thrown out of the military, and—having ruined every business venture he ever touched—was working for his father selling ladies’ hats in Galena, Illinois. Just a few years later, however, Grant would accept the surrender of the legendary Robert E. Lee at Appomattox. The lesson? Things can turn around very quickly in life. I may be crazy, but I feel that soon the world of sacred music will come roaring back! I feel that Catholics are sick of irreverent, goofy, secular music at Mass. The only thing stopping such a revolution—in my humble opinion—is that we are still divided, “tending our own gardens.” But that won’t last much longer. The internet is putting good people in touch with one another.

Accompaniment Booklet • I prepared this ORGAN ACCOMPANIMENT BOOKLET (25 pages) for tomorrow’s Vespers (Second Sunday after Epiphany). I thought you might like to see it. By releasing things like this, we hope to provide other church musicians with inspiration and ideas:

*  PDF Download • ORGAN ACCOMPANIMENT (25 Pages)
—Vespers: “2nd Sunday after Epiphany” • Organ Accompaniment Booklet.

PDF Download • “Organ Accompaniment Booklet” (25 pages) — Vespers, 2nd Sunday after Epiphany

Tempus Epiphaniæ • Speaking of EPIPHANIA DOMINI, Ms. Eleanor Parker has posted an English “Book of Hours” (circa 1350AD) with exquisite illustrations depicting the entire narrative of the Magi and King Herod, in a series of pictures running across the bottom:

We begin with one king:

…plus two kings:

…equals three kings:

The Magi encounter the shepherds, who point the way to Bethlehem:

When we turn the page, they are arriving at Herod’s castle:

They tell Herod the purpose of their quest:

Troubled by what the Magi have told him, Herod sends letters gathering the “chief priests and scribes of the people”:

And they point out to him the prophecies which tell that Christ is to be born in Bethlehem:

Meanwhile, the Magi find the child and present their gifts, but are quickly warned by an angel—while sleeping still wearing their crowns!—to flee:

“They departed into their own country by another way,” and that’s the last we see of them. But Joseph is also warned by an angel:

…and takes his family to Egypt:

Learning that the Magi set sail from Tarsus, Herod orders the ships there to be burnt:

Having failed in his pursuit, he sends out his knights to kill children under two years old:

Katérva matrum pérsonat
conlísa deflens pígnora,
quorum tyránnus mília
Christo sacrávit víctimam.

And we see the massacre of the children, their mothers struggling against the soldiers:

This story is told on the very first pages of the Brébeuf hymnal—in Latin with a literal English translation—by the ABECEDARIUS, which is a very important Alphabetical Hymn by Caelius Sedulius, a Christian Poet who lived in the 5th century.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 2nd Sunday after Epiphany, Vespers, Vespers Organist Scores Last Updated: January 15, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

Recent Posts

  • False! • “Youthful” Music Attracts the Young
  • “I Don’t Care Anymore!” • Lead by Loving Example
  • Installment #2 • “Serious Problems with the Lectionary Translation”
  • PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
  • “Music List” • 17th in Ordinary Time (Year C)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up