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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Organ Accompaniment Booklet” (25 pages) — Vespers, 2nd Sunday after Epiphany

Jeff Ostrowski · January 15, 2023

HEN THE CIVIL WAR began, Ulysses S. Grant was at his lowest ebb, having failed miserably at everything he’d ever attempted in life. He was a depressed drunkard who had been thrown out of the military, and—having ruined every business venture he ever touched—was working for his father selling ladies’ hats in Galena, Illinois. Just a few years later, however, Grant would accept the surrender of the legendary Robert E. Lee at Appomattox. The lesson? Things can turn around very quickly in life. I may be crazy, but I feel that soon the world of sacred music will come roaring back! I feel that Catholics are sick of irreverent, goofy, secular music at Mass. The only thing stopping such a revolution—in my humble opinion—is that we are still divided, “tending our own gardens.” But that won’t last much longer. The internet is putting good people in touch with one another.

Accompaniment Booklet • I prepared this ORGAN ACCOMPANIMENT BOOKLET (25 pages) for tomorrow’s Vespers (Second Sunday after Epiphany). I thought you might like to see it. By releasing things like this, we hope to provide other church musicians with inspiration and ideas:

*  PDF Download • ORGAN ACCOMPANIMENT (25 Pages)
—Vespers: “2nd Sunday after Epiphany” • Organ Accompaniment Booklet.

PDF Download • “Organ Accompaniment Booklet” (25 pages) — Vespers, 2nd Sunday after Epiphany

Tempus Epiphaniæ • Speaking of EPIPHANIA DOMINI, Ms. Eleanor Parker has posted an English “Book of Hours” (circa 1350AD) with exquisite illustrations depicting the entire narrative of the Magi and King Herod, in a series of pictures running across the bottom:

We begin with one king:

…plus two kings:

…equals three kings:

The Magi encounter the shepherds, who point the way to Bethlehem:

When we turn the page, they are arriving at Herod’s castle:

They tell Herod the purpose of their quest:

Troubled by what the Magi have told him, Herod sends letters gathering the “chief priests and scribes of the people”:

And they point out to him the prophecies which tell that Christ is to be born in Bethlehem:

Meanwhile, the Magi find the child and present their gifts, but are quickly warned by an angel—while sleeping still wearing their crowns!—to flee:

“They departed into their own country by another way,” and that’s the last we see of them. But Joseph is also warned by an angel:

…and takes his family to Egypt:

Learning that the Magi set sail from Tarsus, Herod orders the ships there to be burnt:

Having failed in his pursuit, he sends out his knights to kill children under two years old:

Katérva matrum pérsonat
conlísa deflens pígnora,
quorum tyránnus mília
Christo sacrávit víctimam.

And we see the massacre of the children, their mothers struggling against the soldiers:

This story is told on the very first pages of the Brébeuf hymnal—in Latin with a literal English translation—by the ABECEDARIUS, which is a very important Alphabetical Hymn by Caelius Sedulius, a Christian Poet who lived in the 5th century.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 2nd Sunday after Epiphany, Vespers, Vespers Organist Scores Last Updated: January 15, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.”

— Cardinal Antonelli (Peritus during the Second Vatican Council)

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