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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for December 2022

Jeff Ostrowski · December 31, 2022

“Requiescat In Pace” • Pope Emeritus Benedict XVI

Let us pray for the repose of the soul of Josef Ratzinger, who did so much good for the church.

Jeff Ostrowski · December 26, 2022

“… Ripped From A Live-Feed …”

Saint John Vianney, while in the presence of the Blessed Sacrament, could scarcely speak or breathe (so moved was he).

Jeff Ostrowski · December 24, 2022

PDF • “Silent Night” Harmonization

Here’s a handy organ accompaniment (PDF) in three different key signatures: MIDDLE, HIGH, and LOW. The Latin lyrics (“Silens Nox”) are courtesy of Father Valentine Young, OFM (d. 2020). The organ harmonies are very simple, yet beautiful. Those who desire such a thing may also download a Singer’s Version. For obvious reasons, the choir will […]

Jeff Ostrowski · December 24, 2022

PDF Download • “What Child Is This?” • Jeff’s Arrangement of This Carol … in Latin!

This morning I sat down and arranged what—in my view—is one of the beautiful Christmas carols.

Jeff Ostrowski · December 23, 2022

23 December 2022 • FEEDBACK

A very skilled conductor from another country—who recently posted a recording any conductor would be proud of, displaying a light, pleasant, and professional choral sound—wrote to us on 23 December 2022: “CCWatershed and the Sacred Music Symposia have made a great mark in my musical career and the sound you hear you can proudly say […]

Richard J. Clark · December 23, 2022

John G. Dunn • 1943-2022 • Requiescat In Pace

We mourn the passing of John G. Dunn (1943-2022) Director of Music and Headmaster Emeritus of the Boston Archdiocesan Choir School (currently known as Saint Paul’s Choir School in Harvard Square) The Choir School would not exist today without John Dunn’s vision, dedication, and talent.

Keven Smith · December 22, 2022

Five Tips for Saving Your Body During Christmas Liturgies

These easy techniques will help you eliminate tension so you can be at your best.

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Daniel Tucker · December 21, 2022

The Christmas Sequence: Laetabundus

“He that is the Word of the Most High God deigns to take a body unto himself; he assumes our flesh.”

Jeff Ostrowski · December 20, 2022

Choirmasters • “How To Avoid Getting Fired”

Anyone who’s ever stood in front of a choir knows the choirmaster’s vocation is not an easy one.

Jeff Ostrowski · December 20, 2022

19 Dec. 2022 • “Include The Congregation?”

People often ask: “Can Gregorian Chant include the congregation?” The answer is: Yes! Listen to this Live Recording from last Sunday (which was the 4th Sunday of Advent). That is one model—not the only model—demonstrating how a congregation could be included. It’s KYRIE XVII, traditionally sung during Advent.

Jeff Ostrowski · December 20, 2022

“Can You Help?” • (Not asking for $ $ $ )

You can help us by adding yourself to our mailing list. It takes less than 5 seconds: (1) Scroll to the bottom of ANY blog article; (2) Enter your email address. It’s that simple. We’re a tiny 501(c)3 public charity. We exist solely by the generosity of small donors. We have no endowment; we have no […]

Jeff Ostrowski · December 20, 2022

19 Dec. 2022 • “This One Has It All”

In case you missed it, this December 10th article about Dr. Peter Wagner, who founded the GREGORIAN ACADEMY at Fribourg (Switzerland), has it all: (1) A rare download [138 pages] of Dr. Wagner’s Kyriale Accompaniment Book; (2) Biographical information about Dr. Wagner; (3) A special surprise you’ll love; (4) Courtesy of Professor Weaver, a translation […]

Patrick Williams · December 19, 2022

Gregorian Rhythm Wars • “Patrick’s Third Response to Jeff” (19 Dec 2022)

“The original chant handed down from the Fathers of the Church has strict rhythmic proportions and a steady beat.” —Patrick Williams

Jeff Ostrowski · December 19, 2022

J.S. Bach “Alleluia” • Director Posts Live Recording!

Our singers really love this one…

Veronica Moreno · December 18, 2022

Young Boys Who “Play” Mass

A mother describes her son’s love for the Mass. He memorizes and recruits friends to “play Mass.” We are a people of hope.

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass

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