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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Photographs • Weinmann “Graduale” on 5 Lines!

Jeff Ostrowski · November 28, 2022

WAS LISTENING to a fascinating video. An elderly Irish man was explaining what it was like to fight in THE GREAT WAR (“WWI”). When the men were told to “go over the top”—in other words, enter no man’s land to attack the Germans—anyone who refused to leave the trenches was shot on the spot. The Irish soldier said he looked down and saw a young man grievously wounded. The man’s organs were no longer inside his body; his innards were spread out on the ground. The Irish soldier said this poor chap uttered only word before he expired: “Mother.” Many of the soldiers were only 16 years old. Perhaps that boy was calling out (as he lay dying) to the person who had cared for him.

But A Few Years • We recently scanned and uploaded the Graduale on Modern Staves (672 pages) published in 1909 by Father Karl Weinmann, an eminent German musicologist. His Graduale was published just a few years before World War I began [Archduke Franz Ferdinand of Austria and his wife were assassinated on 28 June 1914], and his marvelous Vesperale on Modern Staves (651 pages) was published in 1915, during the war. I can’t get over the breathtaking typesetting and beauty of each page. Notice the German translation of the Latin, rigorously precise spacing, and splendid religious graphics:

A Different Time • World War I was utterly brutal. The dead bodies couldn’t be collected due to the risk of German sniper fire, so the young men were forced to watch their friends’ corpses decay for weeks (!) as the ubiquitous rats devoured them. The wounded had to exercise extreme caution, because rats would also attack them—and frequently such attacks were lethal. All the soldiers were infected with lice. They were not allowed to remove their boots. As a result, thousands had their feet amputated, as the frostbite often turned into gangrene. And yet, the soldiers did not hate the enemy. At Christmas, a 7-day truce witnessed English and German soldiers playing soccer together, exchanging gifts, enjoying pleasant conversation, singing Christmas carols together, and promising to “shoot high” after the truce came to an end. How different their lives were compared to ours!

Conclusion • Certainly, the vocation of a choirmaster is not easy. But let’s consider what our grandfathers suffered, and we will find the courage to continue on!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Graduale by Dr Weinmann, Karl Weinmann 1873-1929 Last Updated: December 1, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The old Roman rite had the offering by the people and then, as offertory-prayer, what we call the “Secret.” The name “Secreta” means that it was said in a low voice, because the offertory-psalm was being sung. For the same reason it is not preceded by “Oremus.”

— Father Adrian Fortescue

Recent Posts

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  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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