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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Photographs • Weinmann “Graduale” on 5 Lines!

Jeff Ostrowski · November 28, 2022

WAS LISTENING to a fascinating video. An elderly Irish man was explaining what it was like to fight in THE GREAT WAR (“WWI”). When the men were told to “go over the top”—in other words, enter no man’s land to attack the Germans—anyone who refused to leave the trenches was shot on the spot. The Irish soldier said he looked down and saw a young man grievously wounded. The man’s organs were no longer inside his body; his innards were spread out on the ground. The Irish soldier said this poor chap uttered only word before he expired: “Mother.” Many of the soldiers were only 16 years old. Perhaps that boy was calling out (as he lay dying) to the person who had cared for him.

But A Few Years • We recently scanned and uploaded the Graduale on Modern Staves (672 pages) published in 1909 by Father Karl Weinmann, an eminent German musicologist. His Graduale was published just a few years before World War I began [Archduke Franz Ferdinand of Austria and his wife were assassinated on 28 June 1914], and his marvelous Vesperale on Modern Staves (651 pages) was published in 1915, during the war. I can’t get over the breathtaking typesetting and beauty of each page. Notice the German translation of the Latin, rigorously precise spacing, and splendid religious graphics:

A Different Time • World War I was utterly brutal. The dead bodies couldn’t be collected due to the risk of German sniper fire, so the young men were forced to watch their friends’ corpses decay for weeks (!) as the ubiquitous rats devoured them. The wounded had to exercise extreme caution, because rats would also attack them—and frequently such attacks were lethal. All the soldiers were infected with lice. They were not allowed to remove their boots. As a result, thousands had their feet amputated, as the frostbite often turned into gangrene. And yet, the soldiers did not hate the enemy. At Christmas, a 7-day truce witnessed English and German soldiers playing soccer together, exchanging gifts, enjoying pleasant conversation, singing Christmas carols together, and promising to “shoot high” after the truce came to an end. How different their lives were compared to ours!

Conclusion • Certainly, the vocation of a choirmaster is not easy. But let’s consider what our grandfathers suffered, and we will find the courage to continue on!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Graduale by Dr Weinmann, Karl Weinmann 1873-1929 Last Updated: December 1, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

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