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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Photographs • Weinmann “Graduale” on 5 Lines!

Jeff Ostrowski · November 28, 2022

WAS LISTENING to a fascinating video. An elderly Irish man was explaining what it was like to fight in THE GREAT WAR (“WWI”). When the men were told to “go over the top”—in other words, enter no man’s land to attack the Germans—anyone who refused to leave the trenches was shot on the spot. The Irish soldier said he looked down and saw a young man grievously wounded. The man’s organs were no longer inside his body; his innards were spread out on the ground. The Irish soldier said this poor chap uttered only word before he expired: “Mother.” Many of the soldiers were only 16 years old. Perhaps that boy was calling out (as he lay dying) to the person who had cared for him.

But A Few Years • We recently scanned and uploaded the Graduale on Modern Staves (672 pages) published in 1909 by Father Karl Weinmann, an eminent German musicologist. His Graduale was published just a few years before World War I began [Archduke Franz Ferdinand of Austria and his wife were assassinated on 28 June 1914], and his marvelous Vesperale on Modern Staves (651 pages) was published in 1915, during the war. I can’t get over the breathtaking typesetting and beauty of each page. Notice the German translation of the Latin, rigorously precise spacing, and splendid religious graphics:

A Different Time • World War I was utterly brutal. The dead bodies couldn’t be collected due to the risk of German sniper fire, so the young men were forced to watch their friends’ corpses decay for weeks (!) as the ubiquitous rats devoured them. The wounded had to exercise extreme caution, because rats would also attack them—and frequently such attacks were lethal. All the soldiers were infected with lice. They were not allowed to remove their boots. As a result, thousands had their feet amputated, as the frostbite often turned into gangrene. And yet, the soldiers did not hate the enemy. At Christmas, a 7-day truce witnessed English and German soldiers playing soccer together, exchanging gifts, enjoying pleasant conversation, singing Christmas carols together, and promising to “shoot high” after the truce came to an end. How different their lives were compared to ours!

Conclusion • Certainly, the vocation of a choirmaster is not easy. But let’s consider what our grandfathers suffered, and we will find the courage to continue on!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Graduale by Dr Weinmann, Karl Weinmann 1873-1929 Last Updated: December 1, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

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  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”
  • “Music List” • 23rd in Ordinary Time (Year C)

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