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Views from the Choir Loft

“Exceeded Every Expectation!” • Mr. O’Brien’s Review

Jeff Ostrowski · June 29, 2022

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Y NAME IS BENJAMIN, and I’m a professional musician with a B.A. in Music Performance from the University of New Hampshire. I have served at a parish in New Hampshire for 10 years. I am now the Cathedral Organist & Choirmaster as well as the Diocesan Director of Sacred Music for the Diocese of Marquette, Michigan. I attended the Sacred Music Symposium 2022 … and was absolutely blown away.

What is it? All week long we took part in impressive educational talks, lectures, hands-on classes, rehearsals, etc. all relating to various aspects of the wealth of Catholic Sacred Music—be it Gregorian chant notation and style, pipe organ technique, improvisation, choral conducting technique, theology/philosophy behind liturgical music, practical tips for the professional church musician working with volunteers, and plenty of hands on experience rehearsing music you actually sing with others for Vespers and Mass during the week.

The culmination? Culminating in a glorious High Mass (at the end of the week), what we were able to experience as part of the choir providing the music for that liturgy was supremely beautiful, reverent, angelic, and prayerful. Truly a “taste of heaven,” to be honest. Every aspect of the liturgy lifted your mind and heart to God the Father, Creator of the universe, and His Son, Jesus Christ, who is our majestic King of Kings. This felt like what Mass was truly meant to be.

For whom? Whether coming from a liturgical background in the Ordinary Form or the Extraordinary Form, this Symposium helped “cover all the bases,” providing extremely helpful training that would apply to both forms in a mutually enriching educational process. I would HIGHLY recommend the Sacred Music Symposium to Catholic clergy, choir directors, organists, church accompanists, church choir members, and church cantors.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sacred Music Symposium 2022 Last Updated: June 29, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Catholics in America have been the heirs of a sentimental and subjective hymn tradition that, for some reason or other, has taken a deep and fast hold on the fancy of the average person.”

— Fr. Francis Brunner (1953)

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