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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Exceeded Every Expectation!” • Mr. O’Brien’s Review

Jeff Ostrowski · June 29, 2022

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Y NAME IS BENJAMIN, and I’m a professional musician with a B.A. in Music Performance from the University of New Hampshire. I have served at a parish in New Hampshire for 10 years. I am now the Cathedral Organist & Choirmaster as well as the Diocesan Director of Sacred Music for the Diocese of Marquette, Michigan. I attended the Sacred Music Symposium 2022 … and was absolutely blown away.

What is it? All week long we took part in impressive educational talks, lectures, hands-on classes, rehearsals, etc. all relating to various aspects of the wealth of Catholic Sacred Music—be it Gregorian chant notation and style, pipe organ technique, improvisation, choral conducting technique, theology/philosophy behind liturgical music, practical tips for the professional church musician working with volunteers, and plenty of hands on experience rehearsing music you actually sing with others for Vespers and Mass during the week.

The culmination? Culminating in a glorious High Mass (at the end of the week), what we were able to experience as part of the choir providing the music for that liturgy was supremely beautiful, reverent, angelic, and prayerful. Truly a “taste of heaven,” to be honest. Every aspect of the liturgy lifted your mind and heart to God the Father, Creator of the universe, and His Son, Jesus Christ, who is our majestic King of Kings. This felt like what Mass was truly meant to be.

For whom? Whether coming from a liturgical background in the Ordinary Form or the Extraordinary Form, this Symposium helped “cover all the bases,” providing extremely helpful training that would apply to both forms in a mutually enriching educational process. I would HIGHLY recommend the Sacred Music Symposium to Catholic clergy, choir directors, organists, church accompanists, church choir members, and church cantors.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sacred Music Symposium 2022 Last Updated: June 29, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday—1 March 2026—the 2nd Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the flourishing feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Particularly Beautiful
    The 2nd Sunday of Lent has magnificent propers. Its INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

Recent Posts

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  • Extreme Unction
  • Which Mass?

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