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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Exceeded Every Expectation!” • Mr. O’Brien’s Review

Jeff Ostrowski · June 29, 2022

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Y NAME IS BENJAMIN, and I’m a professional musician with a B.A. in Music Performance from the University of New Hampshire. I have served at a parish in New Hampshire for 10 years. I am now the Cathedral Organist & Choirmaster as well as the Diocesan Director of Sacred Music for the Diocese of Marquette, Michigan. I attended the Sacred Music Symposium 2022 … and was absolutely blown away.

What is it? All week long we took part in impressive educational talks, lectures, hands-on classes, rehearsals, etc. all relating to various aspects of the wealth of Catholic Sacred Music—be it Gregorian chant notation and style, pipe organ technique, improvisation, choral conducting technique, theology/philosophy behind liturgical music, practical tips for the professional church musician working with volunteers, and plenty of hands on experience rehearsing music you actually sing with others for Vespers and Mass during the week.

The culmination? Culminating in a glorious High Mass (at the end of the week), what we were able to experience as part of the choir providing the music for that liturgy was supremely beautiful, reverent, angelic, and prayerful. Truly a “taste of heaven,” to be honest. Every aspect of the liturgy lifted your mind and heart to God the Father, Creator of the universe, and His Son, Jesus Christ, who is our majestic King of Kings. This felt like what Mass was truly meant to be.

For whom? Whether coming from a liturgical background in the Ordinary Form or the Extraordinary Form, this Symposium helped “cover all the bases,” providing extremely helpful training that would apply to both forms in a mutually enriching educational process. I would HIGHLY recommend the Sacred Music Symposium to Catholic clergy, choir directors, organists, church accompanists, church choir members, and church cantors.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sacred Music Symposium 2022 Last Updated: June 29, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The chapter orders that only grandees (and their immediate relatives), counts, marquises, and provincial governors may in future enter the choir enclosure during divine service: such a restriction being imposed so that quiet can be the better maintained during cathedral solemnities.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (25 May 1558)

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