Views from the Choir Loft

New Release! • “Missa de Beata Virgine” (Kevin Allen)

Jeff Ostrowski · June 9, 2022

EVIN ALLEN has been highly regarded as a composer of opera, chamber and orchestral music. He has also developed a unique reputation as a composer of church music for the Roman Rite. Mr. Allen’s works, sacred and secular, have been performed in churches and concert halls throughout the United States and Europe.

Mass of the Blessed Virgin: Today, one of his most gorgeous Mass settings—Missa de Beata Virgine for SATB Chorus a cappella—has been released on Amazon:

Order your copy today!

* Amazon.com • “Missa de Beata Virgine” (SATB)
—Missa de Beata Virgine; SATB Chorus A Cappella; Kevin Allen.

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Rehearsal Videos • “Kyrie Eleison”

EQUAL VOICES : YouTube
FIRST SOPRANO : YouTube
SECOND SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
FIRST BASS : YouTube
SECOND BASS : YouTube

Rehearsal Mp3 Files • “Agnus Dei”

Equal Voices • 1st Sop. • 2nd Sopr. • Alto • Tenor • 1st Bass • 2nd Bass

Weeping While Singing: Here’s a live recording of Dr. Horst Buchholz conducting the “Agnus Dei.” The melodies toward the end are so beautiful, many of the singers began weeping. Crying renders a person unable to sing properly—just like when you’re out of breath—but they couldn’t help themselves:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Calling Dr. Weaver!

A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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—Jeff Ostrowski

SLANE • “Simplified” Keyboard Arr.

Do you know ‘SLANE’ the hymn tune?

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—Jeff Ostrowski

Insane Baroque-Era Dissonance!

The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.

—Jeff Ostrowski

‘Ould’ But Not Good

Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.

—Jeff Ostrowski

“Reader Feedback” • 22 June 2026

A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊

—Corpus Christi Watershed

Time and Again We Are Asked…

John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.

—Jeff Ostrowski