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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “O Salutaris” (Modern Setting)

Jeff Ostrowski · May 18, 2022

HOSE OF YOU who are grandparents realize something odd occurs when a child gets married. The grandparents watch the children make mistakes. They know better—but they must not criticize. They must fight the urge to tell the young couple how to run their lives. Even when they already know the child is going to make a mistake, they must be careful in giving advice—because the child must learn his own lessons. This is a heavy cross for some grandparents. (The urge to nitpick and micromanage can be overwhelming.) But unsolicited advice can garner resentment.

The Wisdom Of Experience: When one matures as a musician, one realizes it is wrong to only sing one style of music at Mass. Now, it’s true that Renaissance music is probably the most perfect music ever composed—especially when it’s based on plainsong. Nevertheless (as we have mentioned many times in the past) one should sing a variety of music at Mass. But I don’t argue over this with young musicians; they must learn this truth for themselves. As much as I love Renaissance polyphony, my choral program (made up of volunteers from the parish) could not exist without the elegant-yet-simple melodies in the Brébeuf hymnal.

A Musical Gem: When it comes to contemporary music, I find much of it lacking in depth. After all, music shouldn’t just consist of “sounds”—it should have depth. However, every once in a blue moon one finds a contemporary piece which is stunning and irresistibly gorgeous. That is certainly the case with O Salutaris Hostia by Canon Jules Van Nuffel. I can’t wait to hear how this sounds in June! It’s being sung at Sacred Music Symposium 2022.

M Rehearsal videos for each individual voice await you at #53732 .

Sadness: Most readers won’t click on the individual voice parts, and that makes me sad. When we post a “scandalous” liturgical video, we get 40,000 views. I wish we could get as many views for the rehearsal videos—we must revive authentic sacred music!

Here’s a photograph of Father Van Nuffel conducting:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Bishop Fulton J Sheen, Canon Jules Van Nuffel d 1953, Latin Mass Musical Diversity, O Salutaris Hostia Last Updated: May 20, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

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“There’s a world of difference between a thoughtful, wise Catholic and a bitter contrarian. In spite of what is claimed on certain blogs, being addicted to cable news and twitter does not make one an intellectual.”

— Jeff Ostrowski

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