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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Hymn To Saint Joseph” • (Rec. 4/2/2022)

Jeff Ostrowski · April 2, 2022

ERE IT NOT for the “shared tunes” in the Brébeuf hymnal, I would have most likely died from a heart attack by now. I don’t need to explain to our readers the enormous difficulties of our vocation. As Father Skeris used to say: “The life of a choirmaster is a life of sacrifice.” And May 1st is a typical example, because this year “Good Shepherd Sunday” is replaced (in the EF) by the feast of Saint Joseph the Worker. Where can one find hymns to Saint Joseph the choir knows? Well, the Brébeuf has several excellent hymns to Saint Joseph. And since my choir has already been singing #220 during Lent, they already know #790 because it’s a “shared tune” as you can see:

Rehearsal videos for each individual voice await you at #790.

The full hymn—#790 in the Brébeuf hymnal—is twelve (12) verses long, and some of the verses relate Saint Joseph to the SANCTISSIMUM:

5. His ancient namesake to prepare
against the famine wisely strove
and, precious grain preserved in trove,
he thus provided saving fare.

6. The later Joseph kept the bread,
the manna true, divinely sent,
whose living flesh is nourishment
to those he rescues from the dead.

The rhyme scheme is one favored by poets such as Ronald Knox: it’s in ABBA.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Saint Joseph The Worker, The Catholic Hymnal Last Updated: April 2, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

I basically don’t favor Cardinal Kasper’s proposal; I don’t think it’s coherent. To my mind, “indissoluble” means “unbreakable.”

— Daniel Cardinal DiNardo (19 October 2015)

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