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Views from the Choir Loft

“Like None Other!” • New Three-Voice Collection

Jeff Ostrowski · March 8, 2022

ERIOUS MUSICIANS must realize what they can and cannot do. For example, studying piano at the conservatory, I already knew I could never play Franz Liszt’s Feux Follets. It has impossible passages that must be played at a breakneck tempo. Even Vladimir Horowitz said Feux Follets was the most difficult piece he ever played. (To get some idea of how grueling it is, listen to the YouTube recording by Evgeny Kissin.) I realize some students attempt pieces far beyond their abilities—e.g. teenagers “performing” Chopin’s 4th Ballade—but such actions defile great artistic works … at least according to my professors.

Three-Voice Music • As a student, if I heard a 3-voice motet by Kevin Allen, I would probably think: “I could compose a piece like that.” And I would have been dead wrong. Three voice music is much more difficult to compose than SATB music. Indeed, only a mature musician can appreciate the marvelous feat Mr. Allen has accomplished with these pieces. And choirs really love singing these pieces, with their sumptuous contemporary dissonances. If you have not purchased this new collection from Amazon, consider doing so immediately. It’s called “Matri Divinaæ Gratiæ”—and I could not function as a choirmaster without it.

“Si Ambulavero” • My choirs are currently learning “Si Ambulávero” by Kevin Allen. I recorded all the voice parts myself, to give them an idea how it sounds. Listen to the rich texture Mr. Allen achieves with only three voices:

REHEARSAL VIDEOS for each individual voice and the (free) PDF score await you at this website, towards the bottom.

A Tragedy: Most readers won’t click on the individual voice parts, and that makes me sad. When we post a “scandalous” liturgical video, we get 40,000 views. I wish we could get as many views for the rehearsal videos.


NOTES FROM THIS ARTICLE:

*   I call this collection “new” because it’s new to me. I technically knew about it for half a decade, but until we actually began singing these pieces, I never realized they are such absolute masterpieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Composer Kevin Allen, Matri Divinae Gratiae, Motets for Three-Part Choir, Music for Three Parts, Polyphony For Three Voices, Three Voice Music Last Updated: March 8, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Life need not mean something. Life is something. And what is it? It is: —the present moment (the only one I really have); —my body and soul; —the task at hand; Almighty God, (source of everything) asks just one thing: that I put my body and my soul into this one moment, this one task … that I might do it as God desires it to be done.”

— Based on an article by Robert Keim

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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