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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Booklet • First Sunday of Advent Vespers (Organ Accompaniment) — Draft Copy

Jeff Ostrowski · November 29, 2021

YSTERICALLY UGLY. Those would probably be the best words to describe the organ accompaniment booklet I cobbled together for the First Sunday of Advent. But this season is tough, because Vespers changes each week during Advent. Our entire congregation sings Vespers each Sunday. I accompany most of the ceremony on the organ, but I always make sure that at least one psalm is sung without accompaniment—so the people can hear what “pure” choral music sounds like when they make it by themselves!

This may be an ugly booklet, but it got the job done yesterday:

*  PDF Download • Vespers for the 1st Sunday of Advent (Organ Accomp.)
—This is a very ugly booklet, but it got the job done!

Strange Irony: People have commented how weird it seems that the “Extraordinary Form” communities—i.e. those who use the Missále Antíquius of 1962—are the only ones actually following what Vatican II mandated. After all, the Second Vatican Council declared: “the Latin language is to be retained by clerics in the divine office” (SC §101). And how many parishes know that? Furthermore, how many parishes realize that Vatican II solemnly declared:

“It is, moreover, fitting that the office, both in choir and in common, be sung when possible. Pastors of souls should see to it that the chief hours, especially Vespers, are celebrated in common in church on Sundays and the more solemn feasts. And the laity, too, are encouraged to recite the divine office, either with the priests, or among themselves, or even individually.”
—The Second Vatican Council (SC §100)

Nerd Note: When it comes to the 2nd Psalm—remember we are speaking here of Second Vespers for the First Sunday of Advent—some folks have started adding Tone 8G* to each verse of the psalm, instead of just the very last verse. This is very confusing. Perhaps somebody who is really smart could email me and explain this? As far as I can tell, 100% of the older books have tone 8G*—but only add the “extra note” on the very last verse before the antiphon is repeated. I am speaking of books such as: Nóva órgani harmónia ad graduále júxta editiónem vaticánam (Volume VIII); Proprium De Tempore (Julius Bas); Vesperale romanum d’aprés l’édition vaticane (Dr. Peter Wagner); Vesperale Romanum (Paris, 8 dec 1912); and so forth.

What Does It Sound Like? If you want to hear what it sounds like when our parish sings Vespers, I provide a video below. If you desire to follow the video with a PDF score, click on this article; both booklets (Congregation + Organist) are provided there. When you listen to this video, remember that these are not trained singers. It’s just “regular” people from our five Sunday Masses who decide to show up on a particular day and sing:

By the way, organists can do really cool things with Vespers; e.g. here is a “Counter Melody” Video.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1st Sunday of Advent, Dr Peter Wagner Gregorian, First Sunday of Advent, Julius Bas Gregorian, Missale Antiquius, Organ Accompaniments, Vespers Organist Scores Last Updated: November 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

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