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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Booklet • First Sunday of Advent Vespers (Organ Accompaniment) — Draft Copy

Jeff Ostrowski · November 29, 2021

YSTERICALLY UGLY. Those would probably be the best words to describe the organ accompaniment booklet I cobbled together for the First Sunday of Advent. But this season is tough, because Vespers changes each week during Advent. Our entire congregation sings Vespers each Sunday. I accompany most of the ceremony on the organ, but I always make sure that at least one psalm is sung without accompaniment—so the people can hear what “pure” choral music sounds like when they make it by themselves!

This may be an ugly booklet, but it got the job done yesterday:

*  PDF Download • Vespers for the 1st Sunday of Advent (Organ Accomp.)
—This is a very ugly booklet, but it got the job done!

Strange Irony: People have commented how weird it seems that the “Extraordinary Form” communities—i.e. those who use the Missále Antíquius of 1962—are the only ones actually following what Vatican II mandated. After all, the Second Vatican Council declared: “the Latin language is to be retained by clerics in the divine office” (SC §101). And how many parishes know that? Furthermore, how many parishes realize that Vatican II solemnly declared:

“It is, moreover, fitting that the office, both in choir and in common, be sung when possible. Pastors of souls should see to it that the chief hours, especially Vespers, are celebrated in common in church on Sundays and the more solemn feasts. And the laity, too, are encouraged to recite the divine office, either with the priests, or among themselves, or even individually.”
—The Second Vatican Council (SC §100)

Nerd Note: When it comes to the 2nd Psalm—remember we are speaking here of Second Vespers for the First Sunday of Advent—some folks have started adding Tone 8G* to each verse of the psalm, instead of just the very last verse. This is very confusing. Perhaps somebody who is really smart could email me and explain this? As far as I can tell, 100% of the older books have tone 8G*—but only add the “extra note” on the very last verse before the antiphon is repeated. I am speaking of books such as: Nóva órgani harmónia ad graduále júxta editiónem vaticánam (Volume VIII); Proprium De Tempore (Julius Bas); Vesperale romanum d’aprés l’édition vaticane (Dr. Peter Wagner); Vesperale Romanum (Paris, 8 dec 1912); and so forth.

What Does It Sound Like? If you want to hear what it sounds like when our parish sings Vespers, I provide a video below. If you desire to follow the video with a PDF score, click on this article; both booklets (Congregation + Organist) are provided there. When you listen to this video, remember that these are not trained singers. It’s just “regular” people from our five Sunday Masses who decide to show up on a particular day and sing:

By the way, organists can do really cool things with Vespers; e.g. here is a “Counter Melody” Video.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1st Sunday of Advent, Dr Peter Wagner Gregorian, First Sunday of Advent, Julius Bas Gregorian, Missale Antiquius, Organ Accompaniments, Vespers Organist Scores Last Updated: November 29, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

[Let there be:] “The Latin, the whole Latin, and nothing but the Latin.”

— Cardinal McIntyre (one of the Vatican II fathers)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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