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Views from the Choir Loft

PDF Download • For the Sacred Heart (3 voices)

Andrea Leal · June 3, 2021

HERE IS A GREAT NEED for simple polyphonic pieces arranged for 2-part choirs and 3-part choirs. As the demand for authentic sacred music increases, small choirs are popping up everywhere. It’s true that Covid put a stop to that for a while, but it was only a temporary halt. And now that some choirs are allowed back only in a limited fashion, mostly everyone is in need of music with reduced parts. Since I have always had a small choir with few voices, a few years back I “made an arrangement” for my group. (Read: I removed the bass part). I probably shouldn’t put music on the chopping block like that, but I had no bass singers so I wrote a clean copy without the distraction of that pesky 4th part. Frankly, if you wanted to sing this without the tenor part as well, I don’t think anyone would be mad about it.

Download this piece and start practicing soon, because the Feast of the Sacred Heart is next week.

*  PDF Download • “O COR JESU” (3 voices)
—Arranged for 3 Voices by Anonymous.

I hope these Mp3 rehearsal files will assist you:

*  Mp3 • [rehearsal] Equal Voices

*  Mp3 • [rehearsal] Soprano Emphasized

*  Mp3 • [rehearsal] Alto Emphasized

*  Mp3 • [rehearsal] Tenor Emphasized

If you desire to try the full piece as it was written, you can download the original here. Don’t forget that my colleague, Veronica Brandt, has posted another very useful 3-part motet for the Sacred Heart as well. Since both of these pieces are short, you can alternate with a few verses of a psalm tone chant of your choice to lengthen it as needed.


NOTES FROM THIS ARTICLE:

*   Sometimes I make real arrangements (not just chopping one part off), and I even make rehearsal audio for my Schola Cantorum. But since I am busy with home life, I do it quickly and move on, forgetting that I can share it with you here. I’ll try to do better with that, because I know that they can be useful to others.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Three Voice Music Last Updated: June 3, 2021

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

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