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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • For the Sacred Heart (3 voices)

Andrea Leal · June 3, 2021

HERE IS A GREAT NEED for simple polyphonic pieces arranged for 2-part choirs and 3-part choirs. As the demand for authentic sacred music increases, small choirs are popping up everywhere. It’s true that Covid put a stop to that for a while, but it was only a temporary halt. And now that some choirs are allowed back only in a limited fashion, mostly everyone is in need of music with reduced parts. Since I have always had a small choir with few voices, a few years back I “made an arrangement” for my group. (Read: I removed the bass part). I probably shouldn’t put music on the chopping block like that, but I had no bass singers so I wrote a clean copy without the distraction of that pesky 4th part. Frankly, if you wanted to sing this without the tenor part as well, I don’t think anyone would be mad about it.

Download this piece and start practicing soon, because the Feast of the Sacred Heart is next week.

*  PDF Download • “O COR JESU” (3 voices)
—Arranged for 3 Voices by Anonymous.

I hope these Mp3 rehearsal files will assist you:

*  Mp3 • [rehearsal] Equal Voices

*  Mp3 • [rehearsal] Soprano Emphasized

*  Mp3 • [rehearsal] Alto Emphasized

*  Mp3 • [rehearsal] Tenor Emphasized

If you desire to try the full piece as it was written, you can download the original here. Don’t forget that my colleague, Veronica Brandt, has posted another very useful 3-part motet for the Sacred Heart as well. Since both of these pieces are short, you can alternate with a few verses of a psalm tone chant of your choice to lengthen it as needed.


NOTES FROM THIS ARTICLE:

*   Sometimes I make real arrangements (not just chopping one part off), and I even make rehearsal audio for my Schola Cantorum. But since I am busy with home life, I do it quickly and move on, forgetting that I can share it with you here. I’ll try to do better with that, because I know that they can be useful to others.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Three Voice Music Last Updated: June 3, 2021

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

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