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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • For the Sacred Heart (3 voices)

Andrea Leal · June 3, 2021

HERE IS A GREAT NEED for simple polyphonic pieces arranged for 2-part choirs and 3-part choirs. As the demand for authentic sacred music increases, small choirs are popping up everywhere. It’s true that Covid put a stop to that for a while, but it was only a temporary halt. And now that some choirs are allowed back only in a limited fashion, mostly everyone is in need of music with reduced parts. Since I have always had a small choir with few voices, a few years back I “made an arrangement” for my group. (Read: I removed the bass part). I probably shouldn’t put music on the chopping block like that, but I had no bass singers so I wrote a clean copy without the distraction of that pesky 4th part. Frankly, if you wanted to sing this without the tenor part as well, I don’t think anyone would be mad about it.

Download this piece and start practicing soon, because the Feast of the Sacred Heart is next week.

*  PDF Download • “O COR JESU” (3 voices)
—Arranged for 3 Voices by Anonymous.

I hope these Mp3 rehearsal files will assist you:

*  Mp3 • [rehearsal] Equal Voices

*  Mp3 • [rehearsal] Soprano Emphasized

*  Mp3 • [rehearsal] Alto Emphasized

*  Mp3 • [rehearsal] Tenor Emphasized

If you desire to try the full piece as it was written, you can download the original here. Don’t forget that my colleague, Veronica Brandt, has posted another very useful 3-part motet for the Sacred Heart as well. Since both of these pieces are short, you can alternate with a few verses of a psalm tone chant of your choice to lengthen it as needed.


NOTES FROM THIS ARTICLE:

*   Sometimes I make real arrangements (not just chopping one part off), and I even make rehearsal audio for my Schola Cantorum. But since I am busy with home life, I do it quickly and move on, forgetting that I can share it with you here. I’ll try to do better with that, because I know that they can be useful to others.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Three Voice Music Last Updated: June 3, 2021

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

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