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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Beautiful Requiem Mass Image

Jeff Ostrowski · October 28, 2020

EVERAL years ago, I posted an image (on a poster promoting the Brébeuf hymnal) which showed a beautiful Requiem Mass. It seems appropriate—as we approach the Feast of All Souls November 2nd—that I release the full resolution image (SEE BELOW). This illumination shows the “Office of the Dead” being sung. In a small, private chapel adorned with heraldic banners, the deceased rests in a richly covered catafalque. Around him, hooded monks kneel during their devotions, members of the choir sing, and one monk passes out candles. Standing before the Altar, the priest leads the Requiem Mass.

Click below to download the full resolution image:

*  PDF Download • Office of the Dead (FULL RESOLUTION)
—Standing before the Altar, the priest leads the Requiem Mass.

Vestment Colors • Fr. Fortescue

In that picture, notice the golden vestments worn by the priest (not black). At that time in history, the priest used whatever color was the most ornate for special Masses, irrespective of color. Here’s an excerpt from a paper—“The Vestments of the Roman Rite”—delivered by Father Adrian Fortescue in 1912:

The whole idea of a sequence colours is late, and purely Western. It arose gradually and almost insensibly. Even to the end of the Middle Ages colours were in a very loose state. Every diocese, almost every church, had its own customs. Our present rule dates from the revived missal of 1570. It is exceedingly clear and admirable, except that we have perhaps rather too much white. If white were kept for our Lord, our Lady, and virgins, and if we had one more colour (say the old saffron) for confessors and matrons, it would perhaps add dignity to the highest colour by making it rarer. But this is only a vague aspiration towards what, maybe, the Congregation of Rites might some day allow.

You can download the entire article (21 pages) by Father Fortescue:

*  PDF Download • “Vestments of the Roman Rite” (FORTESCUE)
—Father Adrian Fortescue (d. 1923) gave this paper on 8 Feb 1912.


NOTES FROM THIS ARTICLE:

*   IMAGE SOURCE: “Spinola Hours” created circa 1515AD in Ghent, Belgium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 16th Century Flemish Manuscript, Requiem Mass Last Updated: November 6, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— Monsignor Jules Van Nuffel (circa 1940)

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  • “Adeste Fideles” • Too Many Translations!

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