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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Beautiful Requiem Mass Image

Jeff Ostrowski · October 28, 2020

EVERAL years ago, I posted an image (on a poster promoting the Brébeuf hymnal) which showed a beautiful Requiem Mass. It seems appropriate—as we approach the Feast of All Souls November 2nd—that I release the full resolution image (SEE BELOW). This illumination shows the “Office of the Dead” being sung. In a small, private chapel adorned with heraldic banners, the deceased rests in a richly covered catafalque. Around him, hooded monks kneel during their devotions, members of the choir sing, and one monk passes out candles. Standing before the Altar, the priest leads the Requiem Mass.

Click below to download the full resolution image:

*  PDF Download • Office of the Dead (FULL RESOLUTION)
—Standing before the Altar, the priest leads the Requiem Mass.

Vestment Colors • Fr. Fortescue

In that picture, notice the golden vestments worn by the priest (not black). At that time in history, the priest used whatever color was the most ornate for special Masses, irrespective of color. Here’s an excerpt from a paper—“The Vestments of the Roman Rite”—delivered by Father Adrian Fortescue in 1912:

The whole idea of a sequence colours is late, and purely Western. It arose gradually and almost insensibly. Even to the end of the Middle Ages colours were in a very loose state. Every diocese, almost every church, had its own customs. Our present rule dates from the revived missal of 1570. It is exceedingly clear and admirable, except that we have perhaps rather too much white. If white were kept for our Lord, our Lady, and virgins, and if we had one more colour (say the old saffron) for confessors and matrons, it would perhaps add dignity to the highest colour by making it rarer. But this is only a vague aspiration towards what, maybe, the Congregation of Rites might some day allow.

You can download the entire article (21 pages) by Father Fortescue:

*  PDF Download • “Vestments of the Roman Rite” (FORTESCUE)
—Father Adrian Fortescue (d. 1923) gave this paper on 8 Feb 1912.


NOTES FROM THIS ARTICLE:

*   IMAGE SOURCE: “Spinola Hours” created circa 1515AD in Ghent, Belgium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 16th Century Flemish Manuscript, Requiem Mass Last Updated: November 6, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The replies to this committee (of which Mgr Bugnini was the secretary) reveal a desire to reform the liturgy. In what sense? Out of 2,109 responses from bishops, just three expressed the desire to restore Communion under both kinds. There was a sizable demand for limited use of the vernacular, but only one French bishop wanted the entire Mass in French.”

— Fr. Dominic Allain (2019)

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