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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Extremely Rare! — 1966 “Book of Catholic Worship” (809 pages)

Jeff Ostrowski · September 29, 2020

ASCINATING. That is the only word I can use to describe a book recently given to me called “The Book Of Catholic Worship.” It bears a 12 January 1966 IMPRIMATUR from Most Rev. Lawrence Shehan (d. 1984), the Archbishop of Baltimore, who—it seems fair to say—ended up with a stained history. I don’t need to describe to our readers that 1966 was an absolutely crucial year for liturgical reform. The characters who assembled the book were a “mixed bag”—and that is often what we see vis-à-vis 1960s musical committees. For example, we find members who were liturgically “conservative” (such as Sister Josephine Morgan of the Pius X School of Liturgical Music). Yet, we also find members like Father Eugene A. Walsh, who later became a formal heretic for teaching that the assembly—not the priest—consecrates the SANCTISSIMUM during Holy Mass. 1

*  PDF Download • BOOK OF CATHOLIC WORSHIP (1966)
—This PDF file contains the “Hymnal” section, but the other sections are not included.

In Daniel Craig’s Comparison of 15 traditional Catholic hymnals, he spilled quite a bit of ink describing what he called “The ADOREMUS-50”. I’m not going to attempt to repeat everything Mr. Craig said, but this 1966 hymn book seems to match the “ADOREMUS-50” in a way that’s almost scary!

Do you agree?

Shocking Theft

I was absolutely shocked—flabbergasted, even!—to observe that The Book of Catholic Worship did something very sneaky. They stole all their hymns from the 1940 Episcopal Hymnal. Technically they did acknowledge this, but only if somebody realizes what “The Church Pension Fund” is all about. Here is proof is what I am saying:

I could easily give 50 more examples, but here’s just one more—and examine the lyrics closely to discover the vandalism they thought they could get away with:

Almost without exception, the PROPRIUM MISSAE are taken from the 1965 Missale Romanum, which provides an official English translation of the Roman Gradual, approved for liturgical use in the United States of America. We have discussed this topic over and over again. Here is proof they took their antiphon translations from the 1965 Roman Missal:

Here is more proof; the REPROACHES from Good Friday:

I said “almost without exception” because I have noticed a few items which do not come from the 1965 Roman Missal, such as the English translation of the Pange Lingua from Good Friday. By the way, if enough people show interest, I would like to scan (and upload) all 809 pages of the “Book of Catholic Worship” (1966)…but only if enough people show interest.

HROUGHOUT the past five years, we have examined the history of Catholic hymnody. We have seen that until about 1962, most Catholic hymnals never used Protestant texts or translations. If they did use them, the editors tried to disguise them. An example we looked at was Father Bonvin’s Hosanna Hymnal, published in 1914 (St. Louis, Missouri). We spoke about how Father Bonvin tried to hide what he did. I recently discovered a PDF file which I have never shared with you, a Catholic hymnal granted IMPRIMATUR by Most Rev’d William Joseph Walsh, Archbishop of Dublin from 1885-1921. This hymnal has the name: Vox Angelica: A New Collection of Catholic hymns (organ edition). I don’t know anything about the person who created this Catholic hymnal, but I can say that it’s remarkable in terms of its heavy inclusion of Protestant hymnody. When this Dublin hymn book appeared in 1913, including even translations by Protestants was incredibly rare. But we have already discussed this, so I won’t belabor the point…

 


NOTES FROM THIS ARTICLE:

1  I don’t know all the members, but the names of several of them—such as Gabe Huck and Father Godfrey Diekmann (who later supported women’s ordination)—are extremely troubling. They should not have been allowed anywhere near a liturgical project!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Affordable Hymnal for Catholic Parishes Last Updated: December 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“We wish to express the hope that students of Gregorian Chant come back to the pure Vatican Edition, in the ancient block-note form, without the addition of any signs whatever, in order to achieve Gregorian unity.”

— Josef Gogniat (12 March 1938)

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