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Views from the Choir Loft

Communication • Re: Modern Catholic Hymns

Jeff Ostrowski · September 26, 2020

HE BLOG of the Church Music Association of America said of the Brébeuf hymnal: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.” That same article also declared it to be “…hands down, the best Catholic hymnal ever published.” Of course there are many reasons why this is so, but something you might not realize is that the book contains many new melodies written specifically for this publication. A partial list would include: CAMCOLT, ROGERS PARK, MANKATO, HEUSTIS, RUNNELLS, SILLERY, FORTESCUE, RAYMBAULT, CLERMONT, ST RITA, and FIORILLO.

Almost without exception, these melodies are modal. In my humble opinion, they remind one of Gustav Theodore Holst’s “fresh and beutiful” hymn tune called THAXTED. Perhaps an expert like Charles Weaver could explain the modality of this tune. Due to its frequent plagal cadences, it strikes me as “semi-modal.”

The Brébeuf hymnal uses THAXTED for three different texts, and here’s one of them:

Rehearsal videos for each individual voice await you at #865.

The hymn melody THAXTED was originally set to a secular melody: I vow to thee, my country, all earthly things above. Believe it or not, “sharing” often occurs between secular and sacred melodies. For instance, the melody for “America the Beautiful” was originally a hymn tune. There is not a “correct” text for this hymn—and the Brébeuf choices are quite clever. However, other hymnals have attempted similar pairings. An example would be Number 539 in The Collegeville Hymnal, published by Father Edward J. McKenna in 1990. The Brébeuf example above is a paraphrase of Psalm 71. You can decide for yourself how closely the poet matched the text:

The hymn THAXTED is usually sung unison:

…but as you can see, the Brébeuf hymnal provided harmonies. I am not aware of any other hymnals—except for the Brébeuf—which provide a 4-part (SATB) setting for THAXTED.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Jean de Brebeuf Hymnal, THAXTED HYMN TUNE Last Updated: September 26, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The pope regrets that this trade in African slaves, that he believed having ceased, is still exercised in some regions and even more cruel way. He begs and begs the King of Portugal that it implement all its authority and wisdom to extirpate this unholy and abominable shame.”

— ‘Pope Pius VII, writing to the King of Portugal’

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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