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Views from the Choir Loft

Archives for August 2020

Keven Smith · August 31, 2020

(Installment #3) “Catholic Hymnals” • Keven Smith

Top 10 Features • “An Ideal Extraordinary Form Hymnal”

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Fr. David Friel · August 30, 2020

Bishop Sheen on Sanctifying the Moment

Wise words from Sheen’s book, “Lift Up Your Heart”

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Jeff Ostrowski · August 28, 2020

“Resplendent Beyond Reckoning” • Sherborne Missal (1399AD)

As the Isaac Jogues Missal would do 650 years later, this Missal provides pictures of the priest during the Canon!

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Veronica Brandt · August 28, 2020

(Installment #2) “Catholic Hymnals” • Veronica Brandt

“For every hymn which is unequivocally denounced as ‘schmaltzy’ expect to find someone for whom that hymn is what sustained them through a particularly bleak time.”

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Jeff Ostrowski · August 28, 2020

Video Excerpt • “Fastest Organ Pedals I’ve Ever Seen!”

I’m jealous of anyone who can play the organ pedals so fast!

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Jeff Ostrowski · August 26, 2020

Josef Hofmann • “Pianist Par Excellence”

Anton Rubinstein, who hated child prodigies, called Josef Hofmann “the greatest musical genius the world has ever known.”

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Jeff Ostrowski · August 26, 2020

25 August 2020 • A 20-minute Mass?

Some erroneously attack the Extraordinary Form by claiming that before Vatican II “priests rushed through Low Mass in less than 20 minutes.” Well, during the pandemic, we have had Mass without the reception of Communion by the Faithful—and it makes duration of Mass surprisingly shorter. On feasts with no GLORIA, no CREED, and no HOMILY, […]

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Patrick Torsell · August 26, 2020

(Installment #1) “Catholic Hymnals” • Patrick Torsell

Five tips for rousing, inspiring hymn playing!

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Jeff Ostrowski · August 25, 2020

“Homily — 22nd Sunday in Ordinary Time, Year A” • Father Valentine Young, OFM

“Catholic teaching says we should pray for people who die. If we were sure they were in heaven, that wouldn’t be necessary—so let’s be consistent in our teaching.”

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Keven Smith · August 24, 2020

Quick Vocal Tip: Be Breathy, but Briefly

You’ll never meet a serious choral singer who strives for a breathy sound. But a little breathiness in warmups and personal practice can work wonders. 

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Jeff Ostrowski · August 23, 2020

Huge Discovery! (Not a Joke) • Re: “Gradual Antiphons vs. Missal Antiphons”

Last night I discovered something I never knew—so I immediately telephoned a priest to verify this.

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Veronica Moreno · August 22, 2020

Homeschool Snapshots: Take 2

A homeschooling mother offers a few verses that inspire her during the dark times of teaching, when cooperation is lacking and patience must grow. Hang them on your walls to remind you of God’s good graces.

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Jeff Ostrowski · August 21, 2020

“Secret Book of Happiness” • Official English Translations of the Roman Gradual

Overkill: “ too much of something; the amount by which destruction exceeds what is necessary.”

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Dr. Charles Weaver · August 20, 2020

Biography • Charles Weaver

Charles Weaver is on the faculty of the Juilliard School…

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Jeff Ostrowski · August 19, 2020

Clarity! • Missal vs. Gradual Text (Ordinary Form)

If this problem is to be solved, we must first understand it.

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Corpus Christi Watershed

President’s Corner

    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski
    “Reminder” — Month of July (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“When formerly our churches were poor, and the means of presenting the services of the Church limited, there may have been a strained excuse for the light and unecclesiastical music so often heard…”

— Most Rev’d Richard Gilmour, Bishop of Cleveland (13 April 1886)

Recent Posts

  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story
  • Insane Baroque-Era Dissonance!
  • Explanation of Gregorian Chant • “Using Words Mama Can Understand”
  • “Reminder” — Month of July (2026)

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