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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Holy Week and Easter with Gregorian Chant” (797 pages)

Jeff Ostrowski · July 23, 2020

E WOULD LIKE to thank Mæstro Gustavo Adolfo Valencia Caro for providing this exquisite book—which is extremely rare—printed in Belgium in 1949. Now that Pope Francis has allowed certain parishes to use the “pre-1955” Holy Week, this book is even more welcome than it otherwise would be. Speaking of the “pre-1955” Holy Week, we hope to make an announcement vis-à-vis the 3rd edition of the Saint Edmund Campion Missal before too long…but that will have to wait for another day.

*  PDF Download • HOLY WEEK & EASTER OCTAVE (1949)
—Extremely large PDF file (139MB); 797 pages long.

What a treasure this 797-page book is!

This book is designed for choirs, yet includes the complete Gregorian settings of the Passion of our Lord—I’m not entirely sure why, but it’s very welcome:

Just like the Brébeuf Hymnal, each verse of every hymn is carefully notated, which is wonderful for singers:

The red initials and rubrics are gorgeous:

The red markers for each singer during the Passions are quite striking, and very helpful:

The rhythm is marked according to the “pure” Editio Vaticana, which is still the official rhythm of the Church:

The CANON MISSAE is elegant:

The book demonstrates a prepossessing use of subtle graphics and gentle fonts:

When it comes to the Divine Office, some of the chants are quite intricate—I would need to practice these in advance before attempting them:

Everything required for each Mass is conveniently provided—KYRIE, GLORIA, and so on:

The editors really did think of everything—they even include the “Pange Lingua” of Saint Thomas Aquinas for Holy Thursday, instead of forcing you to consult another book (as some collections do). Just as in the Brébeuf Hymnal, each and every verse is carefully “written out” (notated) directly underneath the musical notes:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Pre-1955 Holy Week Last Updated: March 22, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

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  • Music List • (1st Sunday of Lent)

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