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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Holy Week and Easter with Gregorian Chant” (797 pages)

Jeff Ostrowski · July 23, 2020

E WOULD LIKE to thank Mæstro Gustavo Adolfo Valencia Caro for providing this exquisite book—which is extremely rare—printed in Belgium in 1949. Now that Pope Francis has allowed certain parishes to use the “pre-1955” Holy Week, this book is even more welcome than it otherwise would be. Speaking of the “pre-1955” Holy Week, we hope to make an announcement vis-à-vis the 3rd edition of the Saint Edmund Campion Missal before too long…but that will have to wait for another day.

*  PDF Download • HOLY WEEK & EASTER OCTAVE (1949)
—Extremely large PDF file (139MB); 797 pages long.

What a treasure this 797-page book is!

This book is designed for choirs, yet includes the complete Gregorian settings of the Passion of our Lord—I’m not entirely sure why, but it’s very welcome:

Just like the Brébeuf Hymnal, each verse of every hymn is carefully notated, which is wonderful for singers:

The red initials and rubrics are gorgeous:

The red markers for each singer during the Passions are quite striking, and very helpful:

The rhythm is marked according to the “pure” Editio Vaticana, which is still the official rhythm of the Church:

The CANON MISSAE is elegant:

The book demonstrates a prepossessing use of subtle graphics and gentle fonts:

When it comes to the Divine Office, some of the chants are quite intricate—I would need to practice these in advance before attempting them:

Everything required for each Mass is conveniently provided—KYRIE, GLORIA, and so on:

The editors really did think of everything—they even include the “Pange Lingua” of Saint Thomas Aquinas for Holy Thursday, instead of forcing you to consult another book (as some collections do). Just as in the Brébeuf Hymnal, each and every verse is carefully “written out” (notated) directly underneath the musical notes:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Pre-1955 Holy Week Last Updated: March 22, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It would be contrary to the Constitution to decree or even to hint that sung celebrations, especially of the Mass, should be in Latin.

— Annibale Bugnini attacking “Sacrosanctum Concilium” (§36)

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