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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Harmonies! • “To Jesus Christ, Our Sovereign King”

Jeff Ostrowski · May 19, 2020

EADERS WHO KNOW the Sherlock Holmes mysteries (by Arthur Conan Doyle) will remember the famous quote: “It is said that the barrister who crams up a case with such care that he can examine an expert witness upon the Monday has forgotten all his forced knowledge before the Saturday.” When I had the honor of serving on the committee which produced the Brébeuf hymnal, I learned tons of information about hymns which I’m already forgetting! But one thing I will never forget: SATB hymn harmonizations must be singable. For each hymn, we would compare various harmonizations, and I was astounded at how sloppy some of the editors were…especially vis-à-vis bass and alto lines.

This harmonization is fresh and marvelous—yet eminently singable:


Rehearsal videos for each individual voice await you at #759.

HE TUNE is called “ICH GLAUB AN GOTT,” and was printed in the Mainz Gesangbuch of 1870. I don’t have a copy of the Mainz Gesangbuch. 1 What is the original harmonization for this tune? It’s a mystery—and there may not have been an “original” harmonization, because Dr. Horst Buchholz told me most German organists harmonize at sight. (In other words, they improvise each harmonization.) Even in 2020, it’s quite difficult to obtain a “standard” German hymn book with harmonies. The words to the hymn were written by Monsignor Martin Hellriegel (1891-1981), and the refrain is based upon “Christus Vincit, Christus Regnat, Christus Imperat.” You can download an organ accompaniment for Christus Vincit composed by Dr. Eugene LaPierre (Dean of Music at the University of Montreal), the man who encouraged Roger Wagner to complete his doctorate “in absentia.” On Palm Sunday, our congregation sings the refrain while they are processing.

You can also download a “Christus Vincit” organ accompaniment composed by Father Aloysius Knauff. Very little is known about Father Knauff, who published the Christ the King Hymnal for Congregational Singing while serving as a priest in Saskatchewan (Canada). The book has a 1954 IMPRIMATUR, and we scanned the entire hymnal and posted it along with tons of other books used as reference materials for the Saint Jean de Brébeuf Hymnal. That 1954 book does not contain “To Jesus Christ, Our Sovereign King,” which is odd considering the name of the hymnal, and how it’s almost exclusively German hymns translated into English.



NOTES FROM THIS ARTICLE:

1   If anyone has a scanned copy of the Mainz Gesangbuch (1890), please email it to me. Nobody seems to know what the original melody for “Ich Glaub An Gott” looked like…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Hymn for Christ the King, Jean de Brebeuf Hymnal Last Updated: November 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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