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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Harmonies! • “To Jesus Christ, Our Sovereign King”

Jeff Ostrowski · May 19, 2020

EADERS WHO KNOW the Sherlock Holmes mysteries (by Arthur Conan Doyle) will remember the famous quote: “It is said that the barrister who crams up a case with such care that he can examine an expert witness upon the Monday has forgotten all his forced knowledge before the Saturday.” When I had the honor of serving on the committee which produced the Brébeuf hymnal, I learned tons of information about hymns which I’m already forgetting! But one thing I will never forget: SATB hymn harmonizations must be singable. For each hymn, we would compare various harmonizations, and I was astounded at how sloppy some of the editors were…especially vis-à-vis bass and alto lines.

This harmonization is fresh and marvelous—yet eminently singable:


Rehearsal videos for each individual voice await you at #759.

HE TUNE is called “ICH GLAUB AN GOTT,” and was printed in the Mainz Gesangbuch of 1870. I don’t have a copy of the Mainz Gesangbuch. 1 What is the original harmonization for this tune? It’s a mystery—and there may not have been an “original” harmonization, because Dr. Horst Buchholz told me most German organists harmonize at sight. (In other words, they improvise each harmonization.) Even in 2020, it’s quite difficult to obtain a “standard” German hymn book with harmonies. The words to the hymn were written by Monsignor Martin Hellriegel (1891-1981), and the refrain is based upon “Christus Vincit, Christus Regnat, Christus Imperat.” You can download an organ accompaniment for Christus Vincit composed by Dr. Eugene LaPierre (Dean of Music at the University of Montreal), the man who encouraged Roger Wagner to complete his doctorate “in absentia.” On Palm Sunday, our congregation sings the refrain while they are processing.

You can also download a “Christus Vincit” organ accompaniment composed by Father Aloysius Knauff. Very little is known about Father Knauff, who published the Christ the King Hymnal for Congregational Singing while serving as a priest in Saskatchewan (Canada). The book has a 1954 IMPRIMATUR, and we scanned the entire hymnal and posted it along with tons of other books used as reference materials for the Saint Jean de Brébeuf Hymnal. That 1954 book does not contain “To Jesus Christ, Our Sovereign King,” which is odd considering the name of the hymnal, and how it’s almost exclusively German hymns translated into English.



NOTES FROM THIS ARTICLE:

1   If anyone has a scanned copy of the Mainz Gesangbuch (1890), please email it to me. Nobody seems to know what the original melody for “Ich Glaub An Gott” looked like…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Hymn for Christ the King, Jean de Brebeuf Hymnal Last Updated: November 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Contradictions place us at the foot of the Cross, and the Cross places us at the gates of Heaven.” (Saint John Mary Vianney)

— Cardinal Merry del Val’s Prayer-Book

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  • “Holy Name Hymn” (2-Voice Arrangement)

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