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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Harmonies! • “To Jesus Christ, Our Sovereign King”

Jeff Ostrowski · May 19, 2020

EADERS WHO KNOW the Sherlock Holmes mysteries (by Arthur Conan Doyle) will remember the famous quote: “It is said that the barrister who crams up a case with such care that he can examine an expert witness upon the Monday has forgotten all his forced knowledge before the Saturday.” When I had the honor of serving on the committee which produced the Brébeuf hymnal, I learned tons of information about hymns which I’m already forgetting! But one thing I will never forget: SATB hymn harmonizations must be singable. For each hymn, we would compare various harmonizations, and I was astounded at how sloppy some of the editors were…especially vis-à-vis bass and alto lines.

This harmonization is fresh and marvelous—yet eminently singable:


Rehearsal videos for each individual voice await you at #759.

HE TUNE is called “ICH GLAUB AN GOTT,” and was printed in the Mainz Gesangbuch of 1870. I don’t have a copy of the Mainz Gesangbuch. 1 What is the original harmonization for this tune? It’s a mystery—and there may not have been an “original” harmonization, because Dr. Horst Buchholz told me most German organists harmonize at sight. (In other words, they improvise each harmonization.) Even in 2020, it’s quite difficult to obtain a “standard” German hymn book with harmonies. The words to the hymn were written by Monsignor Martin Hellriegel (1891-1981), and the refrain is based upon “Christus Vincit, Christus Regnat, Christus Imperat.” You can download an organ accompaniment for Christus Vincit composed by Dr. Eugene LaPierre (Dean of Music at the University of Montreal), the man who encouraged Roger Wagner to complete his doctorate “in absentia.” On Palm Sunday, our congregation sings the refrain while they are processing.

You can also download a “Christus Vincit” organ accompaniment composed by Father Aloysius Knauff. Very little is known about Father Knauff, who published the Christ the King Hymnal for Congregational Singing while serving as a priest in Saskatchewan (Canada). The book has a 1954 IMPRIMATUR, and we scanned the entire hymnal and posted it along with tons of other books used as reference materials for the Saint Jean de Brébeuf Hymnal. That 1954 book does not contain “To Jesus Christ, Our Sovereign King,” which is odd considering the name of the hymnal, and how it’s almost exclusively German hymns translated into English.



NOTES FROM THIS ARTICLE:

1   If anyone has a scanned copy of the Mainz Gesangbuch (1890), please email it to me. Nobody seems to know what the original melody for “Ich Glaub An Gott” looked like…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Hymn for Christ the King, Jean de Brebeuf Hymnal Last Updated: November 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Older priests, therefore, should receive younger priests as true brothers and help them in their first undertakings and priestly duties. The older ones should likewise endeavor to understand the mentality of younger priests, even though it be different from their own, and follow their projects with good will.”

— Pope Saint Paul VI (7 dec 1965)

Recent Posts

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  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses

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