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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for April 2020

Jeff Ostrowski · April 30, 2020

Can Sacred Music Be Saved? • (How exactly?)

I know of no greater composition than this one—and it was written by a devout Catholic priest.

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Dr. Lucas Tappan · April 28, 2020

Audiation for Choristers

The reality in any great liturgical choir is that there is simply too much music to learn by rote.

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Jeff Ostrowski · April 28, 2020

For Shame! • Collegeville blog says looking at Crucifix “skirts the edge of idolatry”

The Roman Missal explicitly tells the priest to look at the Crucifix at various times during the Holy Mass.

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Keven Smith · April 27, 2020

What Spilling My Coffee Taught Me About Directing My Choir

(Keven Smith) • Yesterday morning I spilled coffee all over my desk before leaving for our live-streamed Mass. It ended up being a great move+

Jeff Ostrowski · April 27, 2020

“Virtual Mass Is Not The Same” • Sermon by Father Mark Ostrowski

On 26 April 2020, Fr. Ostrowski explained an unintended “Covid-19” consequence—from which we can learn.

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Andrea Leal · April 26, 2020

Trust the Good Shepherd

These difficult times call for an extra measure of humility, patience and trust.

Veronica Moreno · April 25, 2020

“Ransomed” during a pandemic

a mother and musician looks to Our Lady of Ransom for succor.

Veronica Brandt · April 25, 2020

Compline in the Home – via Podcasts!

Having a printed copy of the Divine Office is a good step, but actually hearing it sung really brings it alive.

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Richard J. Clark · April 24, 2020

If you are having a bad day, this is what it means

God ensures will blossom even harsh conditions.

Wilfrid Jones · April 24, 2020

“Hearing the Music of Heaven” • An interview with Father Dominic White OP

An interview with the Dominican composer and theologian Fr Dominic White about his work and theological approach to music.

Jeff Ostrowski · April 23, 2020

Can Ordinary Form Masses Be “Enriched” By The Extraordinary Form?

Do we truly believe the Second Person of the Blessed Trinity becomes present at Mass? Is this how we treat the Sanctissimum?

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Jeff Ostrowski · April 22, 2020

Dealing With Calumny

All of us have probably been the victim of calumny. Calumny can be especially painful if the person telling lies is someone you helped. Next time this happens in your life, try an experiment: Write the person’s name on an Index card, place it on your shoulder, and flick it to the ground—meaning you will […]

Wilfrid Jones · April 22, 2020

Easter Chants from Fisher House

A recording of the chants of the Easter Vigil.

Jeff Ostrowski · April 22, 2020

“Christ The Lord Is Risen Today” • (Hymn #697)

…including several captivating attempts to translate “Victimae Paschali Laudes.”

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Dr. Alfred Calabrese · April 21, 2020

The Unintended Consequences of Live Streaming Mass

If someone is not entertained watching a live streamed Mass, they can just change the channel.

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“It would be difficult to find a failure of imagination greater than that of Carl Czerny.”

— Robert Schumann

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)

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