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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Pothier’s 1906 “De Caetero” Letter • 3 Translations

Jeff Ostrowski · January 28, 2020

HAVE OFTEN MENTIONED what I call “the lazy historian.” That is someone who foolishly assumes everything that’s ever taken place in the galaxy has been carefully documented and preserved for future historians. Such a view—although it is complete lunacy—is unfortunately rampant in too many colleges and universities. Sensible people realize that reliable and impartial documentation is as rare as hen’s teeth. Furthermore, sensible people realize that even when documentation was kept, most of it has been lost or destroyed through the centuries.

I mention this because I recently published an article about the Pontifical Commission for the Editio Vaticana. Much of the information with regard to this topic comes from Dom Pierre Combe, who was an archivist at the Abbey of Solesmes and published a 425-page book in 1969. It is absolutely crucial to remember, when reading Combe, that his story is told entirely from the “anti-Pothierist” perspective (to use a term coined by an astute author in 1906). In other words, he only tells one side of the story, and does so in an extremely partisan way. I have always been in search of documentation providing “the other side of the story,” and Monsignor Francis P. Schmitt is hardly the only one we can consult. For example, Dr. Peter Wagner called Mocquereau’s rhythmic signs “an untraditional garment draped over the melodies.” And when Saint Pius X was presented with editions by publishers lacking rhythmic markings—Pustet, Mechlin, Schwann, and so on—Cardinal Merry del Val wrote a letter (dated 9 June 1906) saying: “His Holiness was pleased to receive this gracious gift and had, furthermore, words of praise for publications of this character which, in not presenting any sort of additions, are in true conformity with the aforementioned Vatican Edition.”

As far as I know, the most apropos document regarding the Mocquereau rhythmic signs is from January of 1906. Here it is in two translations from the French:


I find those two translations utterly fascinating. Moreover, I have taken the liberty of marking several important phrases in red ink, for your consideration!

*  PDF Download • A Third Translation

Having read this letter, you will know exactly what Monsignor Francis P. Schmitt was talking about in his 1950s editorial:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: anti-Pothierists, Pothier De Caetero 1906 Last Updated: May 5, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

After ordering the bishops to appoint in each diocese “special commission of persons who are really competent in the matter, to whom they will entrust the duty of watching over the music performed in the churches in whatever way may seem most advisable,” Pope Pius X continues—“this commission will insist on the music being not only good in itself, but also proportionate to the capacity of the singers, so that it may be always well executed.”

— Dom Alphege Shebbeare (Downside Review)

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