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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pothier’s 1906 “De Caetero” Letter • 3 Translations

Jeff Ostrowski · January 28, 2020

HAVE OFTEN MENTIONED what I call “the lazy historian.” That is someone who foolishly assumes everything that’s ever taken place in the galaxy has been carefully documented and preserved for future historians. Such a view—although it is complete lunacy—is unfortunately rampant in too many colleges and universities. Sensible people realize that reliable and impartial documentation is as rare as hen’s teeth. Furthermore, sensible people realize that even when documentation was kept, most of it has been lost or destroyed through the centuries.

I mention this because I recently published an article about the Pontifical Commission for the Editio Vaticana. Much of the information with regard to this topic comes from Dom Pierre Combe, who was an archivist at the Abbey of Solesmes and published a 425-page book in 1969. It is absolutely crucial to remember, when reading Combe, that his story is told entirely from the “anti-Pothierist” perspective (to use a term coined by an astute author in 1906). In other words, he only tells one side of the story, and does so in an extremely partisan way. I have always been in search of documentation providing “the other side of the story,” and Monsignor Francis P. Schmitt is hardly the only one we can consult. For example, Dr. Peter Wagner called Mocquereau’s rhythmic signs “an untraditional garment draped over the melodies.” And when Saint Pius X was presented with editions by publishers lacking rhythmic markings—Pustet, Mechlin, Schwann, and so on—Cardinal Merry del Val wrote a letter (dated 9 June 1906) saying: “His Holiness was pleased to receive this gracious gift and had, furthermore, words of praise for publications of this character which, in not presenting any sort of additions, are in true conformity with the aforementioned Vatican Edition.”

As far as I know, the most apropos document regarding the Mocquereau rhythmic signs is from January of 1906. Here it is in two translations from the French:


I find those two translations utterly fascinating. Moreover, I have taken the liberty of marking several important phrases in red ink, for your consideration!

*  PDF Download • A Third Translation

Having read this letter, you will know exactly what Monsignor Francis P. Schmitt was talking about in his 1950s editorial:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: anti-Pothierists, Pothier De Caetero 1906 Last Updated: May 5, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The argument moves from the existence of the thing to the correctness of the thing: what is, ought to be. Or, a popular variant: if a thing is, it doesn’t make any difference whether it ought to be—the correct response is to adjust, to learn to live with the thing.”

— ‘L. Brent Bozell, Jr.’

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  • PDF • “O Come All Ye Faithful” (Simplified)

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