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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2019

Jeff Ostrowski · November 30, 2019

Fr. Wasilewski: “Evil” to Remove Pachamama Idols

His argument about “theft”—such as removing pornography from a church where children might see it—is incorrect and dangerous.

Dr. Lucas Tappan · November 26, 2019

Colin Mawby (1936-2019)

We commend his soul to the mercy of our Heavenly Father.

Jeff Ostrowski · November 26, 2019

Are Choirmasters Allowed To Have A Bad Day?

By 1941, Horowitz had been playing Rachmaninov’s 3rd Concerto for 23 years…

Richard J. Clark · November 22, 2019

New England Pueri Cantores Choral Festival and Mass • Cathedral of the Holy Cross

Find Registration and info here.

Andrea Leal · November 21, 2019

PDF Download • “Erunt Signa In Sole” (Advent)

“One of the challenges of a small choir is having enough singers to pull off any kind of polyphony. ” —Andrea Leal

Dr. Lucas Tappan · November 19, 2019

Where do we go from here?

We need to break away from simply providing music for the next Sunday’s Masses.

Jeff Ostrowski · November 14, 2019

Dominican Priest Calls Gregorian Chant “Infantile”

Fr. Gerard Lessard is upset that millennials “seem to be mainly interested in returning to Gregorian chant and organ music of the distant past.”

Jeff Ostrowski · November 11, 2019

Video • What Are Common Hymn Melodies?

Short demonstrations by a volunteer parish choir!

Fr. David Friel · November 11, 2019

New Stained Glass Windows of Military Saints

Recently installed at the pastoral center of the Archdiocese for the Military Services, USA

Fr. David Friel · November 9, 2019

The Gratuity of Beauty

Thoughts on the Feast of the Dedication of the Lateran Basilica

Jeff Ostrowski · November 8, 2019

PDF Download • A Eucharistic Piece My Choir Loves

Including a “preview” of the forthcoming Brébeuf Hymnal SATB Choral Supplement.

Corpus Christi Watershed · November 7, 2019

(1988) • Cardinal Ratzinger Addresses Chilean Bishops

“The grandeur of the liturgy rests upon…rendering tangible the Totally Other, whom we are not capable of summoning.”

Dr. Lucas Tappan · November 5, 2019

If You Want to Catch All the Youth

The “Schools Singing Programme” currently serves 4,000 children each year, many from the most economically depressed areas in England…

Fr. David Friel · November 2, 2019

Holy Souls in Purgatory • 15th-Century Missal Illumination

Detail from the Missal of Eberhard von Greiffenklau

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“It introduces us to a still and serious world, deserted and rigid, without colour, without light, without motion; it does not gladden, does not distract; yet we cannot break away from it.”

— ‘Schweitzer on the THEME from Bach’s “Art of Fugue”’

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