Views from the Choir Loft

New England Pueri Cantores Choral Festival and Mass • Cathedral of the Holy Cross

Richard J. Clark · November 22, 2019

OPE FRANCIS recently said, “Do not forget this: Liturgy is the first ‘teacher’ of catechism.” Singing liturgical music from our rich Roman Catholic tradition isn’t just about the music, but nurturing faith through the Sacred Liturgy.

I encourage Choir Directors to bring all treble and mixed voice choirs (grades 4-12) to the newly renovated Cathedral of the Holy Cross in Boston on Saturday, March 21, 2020 for the American Federation Pueri Cantores New England Choral Festival and Mass.

• Registration, and brochure:

• REGISTER ONLINE HERE

• PDF Download • New England Catholic Youth Choral Festival and Mass • 2020.

Mass will be celebrated by Bishop Robert P. Reed, President of Catholic TV and Auxiliary Bishop of Boston. Nationally celebrated conductor, Dr. Richard Robbins will conduct, and I will personally accompany the Mass and rehearsals.

• Eight Professional Development Credits will be extended to conductors of participating choirs!

• MP3 audio recordings and downloadable scores will are available for participating choirs.

I encourage choir directors to consider this festival not only for strong singers, but also for those for whom this may be a welcome challenge. The environment is nurturing, positive, and joyful!

For questions or information click here to email me.

I look forward to welcoming all of you to the Cathedral to share in this beautiful and prayerful event!

Richard J. Clark
Director of Music
Archdiocese of Boston
Cathedral of the Holy Cross

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

PDF Download • Vespers for the Dead

Mr. Albert Bloomfield kindly sent me “Vespers for the Dead”—which does not fulfill a priest’s obligation to pray the Divine Office, yet is often prayed when a loved one dies. Here is formatting A, and here it is again with formatting B.

—Jeff Ostrowski

20 October 2020 • “What we can’t share”

Almighty God has given to us the example of the Jesuit Martyrs of North America, whose feast day we celebrated yesterday. Of course, along with those eight martyrs we honor their associates, e.g Father François Bressani. I can’t share with you the torments Father Bressani underwent at the hands of Iroquois: it is too brutal. It would tear your heart out. But I will share what Bressani’s Superior said, after receiving a letter from him: “The letter is soiled and ill-written; because the writer has only one finger left on his right hand, and cannot prevent the blood from his wounds—which are still open—from staining the paper. His ink is gunpowder mixed with water, and his table is the earth.” If you have the stomach for it, read what Father Bressani (d. 1672) underwent for Jesus Christ. Let his example help us never fall into sins of impurity, avarice, ingratitude, or envy.

—Jeff Ostrowski

13 October 2020 • Chopin talks Bach

My “pianist pedigree” goes from my teacher through Wiktor Łabuński through Felix Blumenfeld, who studied with Anton Rubinstein. I always considered myself part of the “Bach-Mozart-Chopin school” as opposed to the “Handel-Beethoven-Liszt school.” (Needless to say, there’s great overlap between these schools.) Before giving a concert, Frédéric Chopin would always shut himself up in a room and play through Bach’s Well-Tempered Clavier. The year Chopin died, he spent considerable time with the painter, Eugène Delacroix (d. 1863), who recounts hearing Chopin launch into a monologue on the transcendence of J.S. Bach, insisting that “the fugue is like pure logic in music,” and that “to know fugue deeply is to be acquainted with the element of all reason and all consistency in music.”

—Jeff Ostrowski