Views from the Choir Loft

Archives for July 2019

Dr. Lucas Tappan · July 9, 2019

In Support of the Choir School Tradition

St. Paul’s Choir School is one of only three Catholic choir schools in the United States, and provides an approach we might call the apprenticeship method.

Richard J. Clark · July 5, 2019

In Gratitude for Choral Singers

I am deeply grateful to faith-filled choral singers because of their willingness to understand these 10 things

Jeff Ostrowski · July 4, 2019

Accompanying Gregorian Chant: “Counter-Melody”

Do you hear the little counter-melody added by the organist to several verses?

Corpus Christi Watershed · July 3, 2019

“First Images” • Sacred Music Symposium 2019

…including a live recording of the Kyrie by Palestrina!

Jeff Ostrowski · July 3, 2019

(Live Recording) • Hymn by Richard J. Clark

Recordings from Symposium 2019 are beginning to appear!

Corpus Christi Watershed · July 2, 2019

“Keynote Address” • Sacred Music Symposium 2019

By Fr. James Fryar, FSSP—recorded live.

Dr. Lucas Tappan · July 1, 2019

St. Paul’s Choir School Appoints New Director of Music

James Kennerley’s “rehearsal with the men and boys was brilliant as is his organ playing.”

“Entrance Chant” • 3rd Sunday of Easter

You can download the ENTRANCE ANTIPHON in English for the Third Sunday of Easter (4 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The authentic version—on the words ómnis térra—sounds exactly like the Hallelujah Chorus from Handel’s Messiah. However, it only sounds that way if you follow Dom Mocquereau’s rhythm, which adds syncopation (in spite of the fact that Mocquereau claimed to abhor syncopation). The Germans do not syncopate the rhythm. If you’re someone who enjoys rehearsal videos, this morning I attempted to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

“Reminder” — Month of April (2025)

On a daily basis, I speak to people who—though they’ve followed our blog for years—don’t realize we publish a free newsletter. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

“Music List” • Easter Sunday

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the Easter Sunday (20 April 2025). If such a thing interests you, feel free to download it as a PDF file. Several of the selections are quite beautiful.

—Jeff Ostrowski

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music).

—Corpus Christi Watershed