“First Images” • Sacred Music Symposium 2019

Corpus Christi Watershed · July 3, 2019

HIS YEAR’S Sacred Music Symposium lived up to its reputation as the preëminent summer conference for musicians who take seriously their commitment to authentic Roman Catholic music. Over the next few months, numerous recordings will be released. Promotional materials were released in advance of this year’s conference. Participants came from all over the United States, and several other countries as well. This KYRIE, conducted by Dr. Alfred Calabrese (during the first Holy Mass of Fr. Luc Poirier, FSSP), was recorded live:

* * PDF Download • KYRIE (Palestrina)

We were sent several “raw stills” from Pacheco Films, which is producing a short film about the Sacred Music Symposium:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

20 January 2021 • REMINDER

We have no savings, no endowment, and no major donors. You can help us (please) by subscribing to our mailing list. It’s incredibly easy; just scroll to the bottom of any blog article and enter your email address. Thank you!

—Jeff Ostrowski

19 January 2021 • Confusion over feasts

For several months, we have discussed the complicated history of the various Christmas feasts: the Baptism of the Lord, the feast of the Holy Family, the Epiphany, and so forth. During a discussion, someone questioned my assertion that in some places Christmas had been part of the Epiphany. As time went on, of course, the Epiphany came to represent only three “manifestations” (Magi, Cana, Baptism), but this is not something rigid. For example, if you look at this “Capital E” from the feast of the Epiphany circa 1350AD, you can see it portrays not three mysteries but four—including PHAGIPHANIA when Our Lord fed the 5,000. In any event, anyone who wants proof the Epiphany used to include Christmas can read this passage from Dom Prosper Guéranger.

—Jeff Ostrowski

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski

Subscribe to the CCW Mailing List