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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Archives for July 2019

Jeff Ostrowski · July 30, 2019

Brébeuf Hymn #464 • “Christ ist erstanden”

The text of this hymn is the Church’s oldest Latin Eucharistic hymn, translated by Fr. Adrian Fortescue.

Lucas Tappan · July 30, 2019

Announcing: Saint Rita Choral Academy!

The parish’s new venture, the St. Rita Choral Academy, is the brainchild of Dr. Alfred Calabrese.

Guest Author · July 25, 2019

Jennifer D. Behnke • “Brébeuf Hymnal Review”

“How I love the multiple settings of each text, which can be interchanged as required by seasonal and festal usage.” —Maestro Behnke

Jeff Ostrowski · July 25, 2019

The Day Music Theory Failed Me

Readers already know I believe in the value of Music Theory…

Lucas Tappan · July 24, 2019

A Call to Educate Our Future Musicians

Most of these students, without ever having studied the Church’s documents on liturgical music, have an innate sense that our sacred mysteries require sacred music… and they WANT IT!

Jeff Ostrowski · July 24, 2019

Brébeuf Hymn #517 • “Veni Redemptor Gentium”

This recording was completed last night (23 July 2019).

Jeff Ostrowski · July 20, 2019

Brébeuf Hymn #156 • “Christe Redemptor”

The Soprano line was sung by a young lady in the 8th grade—and she did very well.

Corpus Christi Watershed · July 20, 2019

“Boys Like A Challenge!” • Charles Cole Interviewed

“If you set the bar low, a boy will crawl underneath it—but if you set the bar high, he will leap over it.” —Charles Cole

Jeff Ostrowski · July 18, 2019

Can Girls In The 2nd Grade Sing SATB Hymns?

If a girl in the 2nd grade can learn it after hearing it only a few times, I believe everyone is capable of learning it.

Veronica Moreno · July 16, 2019

PDF Download • “Seasonal Index” (Brébeuf Hymnal)

I can’t always recognize a hymn tune by its name, especially when the Missalette only provides lyrics. Please don’t judge me; that’s the honest truth.

Jeff Ostrowski · July 16, 2019

“For of all sad words of tongue or pen…”

…the saddest are these: “It might have been!”

Jeff Ostrowski · July 13, 2019

(Individual Parts) • New Hymn by Richard J. Clark

During the Symposium, a wonderful young lady from Las Vegas taught students how to create multi-track recordings.

Veronica Brandt · July 13, 2019

Chant any Psalms and Antiphons

Liturgy of the Hours and Divine Office books become enormous when they include all the music for singing the psalms. Fortunately here are the tools to bring the music to your screen.

Richard J. Clark · July 12, 2019

Our children must at the very least be exposed to the great music of the Church.

Traditional hymnody is often easier to sing: simpler melodically and rhythmically, and generally more substantive in theology.

Jeff Ostrowski · July 9, 2019

Hymn Harmony: Fifty Examples—Good and Bad!

We will not be considering musically absurd examples from the past.

Lucas Tappan · July 9, 2019

In Support of the Choir School Tradition

St. Paul’s Choir School is one of only three Catholic choir schools in the United States, and provides an approach we might call the apprenticeship method.

Richard J. Clark · July 5, 2019

In Gratitude for Choral Singers

I am deeply grateful to faith-filled choral singers because of their willingness to understand these 10 things

Jeff Ostrowski · July 4, 2019

Accompanying Gregorian Chant: “Counter-Melody”

Do you hear the little counter-melody added by the organist to several verses?

Corpus Christi Watershed · July 3, 2019

“First Images” • Sacred Music Symposium 2019

…including a live recording of the Kyrie by Palestrina!

Jeff Ostrowski · July 3, 2019

(Live Recording) • Hymn by Richard J. Clark

Recordings from Symposium 2019 are beginning to appear!

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Corpus Christi Watershed

Quick Thoughts

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

— ‘Congregation for Divine Worship (Vatican City), 10 April 2000’

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